International studio — 39.1909/1910(1910)
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DOI Heft:
Nr. 154 (December 1909)
DOI Artikel:Baldry, Alfred Lys: The art of Edward John Gregory
DOI Seite / Zitierlink: https://doi.org/10.11588/diglit.19868#0239
[Index]
j
Briscoe, Miss F..........323 Coppier, Charles........ . 323
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Brown, J............250 Cottet, Charles.......... 323
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Carlsen, Emil. One Illus.......7, 8 Davis, Charles H.......... r2
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Illus............. xi Dufner, Edward. One Illus.....33^,333
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Conder, Charles. One Illus.....17,18,27 Durand............ 4
k
Eaton, Charles Warren. One Illus. . 14,333, 334
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Fraser, Edward Sackwell....... I™
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Gregory, Edward J., R.A. By A. Lys Baldry.
l
Hassam, Childe. One Illus....... 3. 6 Jacque, Charles. One Illus...... 1«
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Hellmer, Professor......... 158 Jouas> Charles.......... 323
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Hind, C. Lewis. Charles Ricketts. Nine Illus. 259 Kenzan, Ogata. Three Illus...... 133
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Mr. and Mrs. Charles P. Taft Collection. Kobori, Yenshu ...... 126
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Holrovd, Sir Charles. Three Illus. 216,218,220,212 __Illus. - •........... xcn
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Hubener, Ulrich......... 320 Lamb, Charles R......... vm
n
Nixon, James..........213 Redfield, Edward W......... 12
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Ould, E. A., F.R.I.B.A. Two Illus. ... 140 Ricketts, Charles. One Illus...... 18, 24
o
Shannon, Charles. One Illus. . . . 20, 186,224 Symons, Gardner. One Illus...... ci
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Sheche'rd F H S 229 Taft, Mr. and Mrs. Charles P., Collection. By
p
Volkmar, Charles......... xcvii Williamson, W. S. Three Illus...... 168
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Ward, C. D........... 153 Young, Charles Morris. One Illus..... 8,12
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Gregory, Edward J., R.A. "Marooned." A Colored Reproduction of the Oil Painting.....xxviii
q
Ricketts, Charles. "The Holy Women and the Angel of the Resurrection." A Colored Reproduction
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Art of Building a Home. By Edward Carpenter................. xxv
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Cloister and the Hearth. By Charles Reade.................. xxvi
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Decorative Study of a Cock. By Edward J. Detmold................ 255
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Fables of Msop. Illustrated by Edward J. Detmold................ 336
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Giovanni Boccaccio. By Edward Hutton................... 250
r
King Charles I at His Trial. By Edward Bower................ 255
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Little Books on Art. By Edward Dillon................... xxiv
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New History of Painting in Italy. By J. A. Crowe and G. B. Cavalcaselle. Edited by Edward Hutton . 170
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Translated by Edward Fitzgerald. Edited with Introduction and Notes by Reynold Alleyne
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Simplification of Life. By Edward Carpenter.................. xxv
Nr. 153 (November 1909)
4
Copyright, lyoy, l>y Charles BcrlbDOT'l Suns
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By CHARLES W. FURLONG
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CHARLES SCRIBNER'S SONS, 153 Fifth Avenue, NEW YORK
5
CHARLES DICKENS AND HIS FRIENDS
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Mr. Teignmouth Shore takes us at once into the very midst of Charles Dickens' large and distinguished circle
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a name famous in the Victorian era which we do not find associated here with that of Charles Dickens.
Nr. 153 (November 1909) / Dutch pictures in the Hudson-Fulton exhibition at the Metropolitan Museum Of Art
Nr. 153 (November 1909) / Contemporary american ladscape painting
Nr. 153 (November 1909) / A picture collector's experiment
Nr. 153 (November 1909) / Studio-talk
Nr. 153 (November 1909) / The Cockcroft cottage at East Hampton, Long Island
Nr. 153 (November 1909) / Japanese lacquer
Nr. 153 (November 1909) / The fall art books
Nr. 153 (November 1909)
Nr. 154 (December 1909) / Contents
Nr. 154 (December 1909)
9
Text by DR. GEORGE F. KUNZ and DR. CHARLES HUGH
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y CHARLES H. CAFFIN
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By CHARLES H. CAFFIN, author of
11
Charles Dickens and His Friends
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PerSonaij( ?nn30uth Shore takes us at once into the very midst of Charles Dickens's large and distinguished circle of friends. The
…
which we do not find associated here with that of Charles Dickens.
Nr. 154 (December 1909) / The art of Edward John Gregory
87
Edward J. Gregory, R.A.
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to prophesy that as years go on the art of Edward activities of our times. Men of very dissimilar
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achievement, and in his "Piccadilly" by edward j. Gregory, r.a.
Nr. 154 (December 1909) / Reviews and notices
Nr. 155 (January 1910) / Leon Dabo, landscape painter
Nr. 155 (January 1910) / The landscape paintings of James Aumonier
Nr. 155 (January 1910) / Etched book-plates
Nr. 155 (January 1910) / Studio-talk
Nr. 155 (January 1910) / Art School notes
Nr. 155 (January 1910) / Reviews and notices
Nr. 155 (January 1910) / Some pictures from the collection of Mr. and Mrs. Charles P. Taft
Nr. 155 (January 1910)
Nr. 156 (February 1910) / Charles Ricketts
259
Charles Ricketts
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In an article on Mr. Charles Shannon in this not hazard the question—If the Bacchus and
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and various " Mr. Charles Ricketts, to cull a phrase hours ? "I wake up at night " is his brief explana-
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"twin origin" of Charles Ricketts.
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a man as Charles Ricketts, who
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not think that for Charles Ricketts
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to him the name of Titian, he is ''the betrayal" by charles ricketts
262
Charles Ricketts
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his Calvary, the centurion's blue « heuodorus expelled from the temple." by charles ricketts
Nr. 156 (February 1910) / Julius Olsson, painter of seascapes
Nr. 156 (February 1910) / Country cottages and their gardens
Nr. 156 (February 1910) / Studio-talk
Nr. 156 (February 1910) / Art school notes
Nr. 156 (February 1910) / Reviews and notices
Nr. 156 (February 1910) / National Society of Craftsmen exhibition
Nr. 156 (February 1910) / National Academy of Design exhibition
Edward J. Gregory, R.A.
which society he was elected an associate in 1871, uncommon sincerity in the pursuit of an ideal,
and in which he held the office of President from could have maintained so splendidly the quality
1898 till his death. His reputation rapidly ad- of his accomplishment. That he did maintain
vanced as he increased the number of his contri- it is proved convincingly by the works he has left
butions to the various exhibitions, and before long us, and unless future generations adopt standards
he set the seal upon it by showing his wonderful in art quite unlike those against which the achieve-
portrait of Miss Galloway at the Grosvenor ment of past centuries has been measured, he must
Gallery. His election as an Associate of the always be held in honour while these works exist.
Royal Academy followed in 1883, and he reached -
the rank of Royal Academician in 1898, so that in His Majesty the King has been graciously
his comparatively short life of fifty-nine years he pleased to grant a Charter and Diploma to the
secured a sufficient measure of the distinctions Royal British Colonial Society of Artists. The
which can be gained by successful artists in this Society, which has now been in existence twenty-
country, one years, and of which Her Majesty the Queen
But it is interesting also to note that his art, and H.R.H. Princess Louise, Duchess of Argyll,
with all its essentially British characteristics, has are honorary members, recently dispatched an
received the stamp of official approval quite as important collection of pictures to Montreal which
generously abroad as it has in this country, where are now being exhibited there,
its particular merits might
presumably have been better
understood. Gold and silver
medals were awarded to him
at the Paris International
Exhibition in 1889, a medal
at Munich in 1891, the gold
medal at Brussels in 1898,
and another gold medal at
Paris in 1900; so it can be
plainly seen that his inde-
pendence, his choice of a
direction apart from the bulk
of his contemporaries, and
his lack of conformity to the
conventions of the moment,
have not made him seem
to foreign judges to be un-
worthy of the highest
honours. All people, indeed,
who estimate without bias
and with a sufficient degree
of intelligent understanding
the extent of an artist's
capacity, must agree that
all the distinctions won by
Mr. Gregory were amply due
to him, and that he earned
them fully by his unceasing
efforts to reach the highest
level of artistic expression.
He was too great an artist
to aim at anything but the
highest; and only a man of
unusual powers, of unusual
self-restraint, and of quite "the miller's croft" by edward j. Gregory, r.a.
97
which society he was elected an associate in 1871, uncommon sincerity in the pursuit of an ideal,
and in which he held the office of President from could have maintained so splendidly the quality
1898 till his death. His reputation rapidly ad- of his accomplishment. That he did maintain
vanced as he increased the number of his contri- it is proved convincingly by the works he has left
butions to the various exhibitions, and before long us, and unless future generations adopt standards
he set the seal upon it by showing his wonderful in art quite unlike those against which the achieve-
portrait of Miss Galloway at the Grosvenor ment of past centuries has been measured, he must
Gallery. His election as an Associate of the always be held in honour while these works exist.
Royal Academy followed in 1883, and he reached -
the rank of Royal Academician in 1898, so that in His Majesty the King has been graciously
his comparatively short life of fifty-nine years he pleased to grant a Charter and Diploma to the
secured a sufficient measure of the distinctions Royal British Colonial Society of Artists. The
which can be gained by successful artists in this Society, which has now been in existence twenty-
country, one years, and of which Her Majesty the Queen
But it is interesting also to note that his art, and H.R.H. Princess Louise, Duchess of Argyll,
with all its essentially British characteristics, has are honorary members, recently dispatched an
received the stamp of official approval quite as important collection of pictures to Montreal which
generously abroad as it has in this country, where are now being exhibited there,
its particular merits might
presumably have been better
understood. Gold and silver
medals were awarded to him
at the Paris International
Exhibition in 1889, a medal
at Munich in 1891, the gold
medal at Brussels in 1898,
and another gold medal at
Paris in 1900; so it can be
plainly seen that his inde-
pendence, his choice of a
direction apart from the bulk
of his contemporaries, and
his lack of conformity to the
conventions of the moment,
have not made him seem
to foreign judges to be un-
worthy of the highest
honours. All people, indeed,
who estimate without bias
and with a sufficient degree
of intelligent understanding
the extent of an artist's
capacity, must agree that
all the distinctions won by
Mr. Gregory were amply due
to him, and that he earned
them fully by his unceasing
efforts to reach the highest
level of artistic expression.
He was too great an artist
to aim at anything but the
highest; and only a man of
unusual powers, of unusual
self-restraint, and of quite "the miller's croft" by edward j. Gregory, r.a.
97