International studio (41.1910)

Studio-Talk

think, allow more evidence of the touch of the
crayon-point, and critic as he is, Mr. Lys Baldry
should set a good example in this respect.

At the Baillie Gallery, Mr. W. Onslow Ford has
been exhibiting Portraits and Landscapes. We
prefer this artist's earlier period in the portraits of
Mrs. M L. Ford and The Late E. Onslow Ford,
R.A. Also such works as the painting of Mrs.
W. Onslow Ford, with its careful choice of browns,
and Mrs. Smith of Britwell, show the highly skilful
interpretation which the artist often takes pleasure
in achieving. At the same galleries, the still-life
studies of Miss Ruth Hollingsworth deserved high
praise. Mr. J. W. Herald's art brings to our mind
thoughts of the methods of many other artists in
water-colours—Lee Hankey, E. A. Walton, and
sometimes Charles Sims, or even Joseph Crawhall;
often the artist arrives at effects of much charm by
a clever adaptation of a Japanese point-of-view to
the English methods. The influences thus ap-
parent are probably quite unconsciously assimilated,
and they do not detract from the unique and often
happy results this artist has obtained, notably in
Arbroath, or On the Sands, Arbroath.

The Ryder Gallery has introduced to the
English public the tempera paintings of Count
Napoleone Parisiani, an Italian landscape painter
of much distinction. His exhibition was certainly
to be counted among those which were most
welcome last month. His colour and touch are
sympathetic, and his pictures atmospheric.

A small Exhibition of the French Impressionists,
including works by Manet, Pissarro, Degas, Sisley,
and bronzes by Barye, has been a source of pleasure
to connoisseurs at Mr. W. B. Paterson's gallery in
Bond Street. The Dutch pictures by Mr. Nico
Tungman, seen recently at 14, Regent Street, show
that the painter is doing work as attractive and
virile as ever, now fusing with his original schemes
more of the traditions of Rembrandt and older
masters of his country. The Spanish pictures of
Miss M. Cameron at McLean's Gallery were of
varying kinds, from life-size figure subjects to
cabinet landscapes. These latter, perhaps, showed
the most painter-like qualities and the feeling for
atmosphere missed in some of the larger works.
The Chenil Gallery, Chelsea, was particularly in-
teresting last month with its full exhibition of
Mr. Henry Fullwood's exquisite colour prints.
Purchases from these have been made for the
Royal Print Room in Dresden and for the Budapest

"THE DANCER" (BRONZE) BY A. LEWIN-FUNCKE

{Purchased by H.I.3J. the German Emfcror)

Gallery. The collection of etchings by the artist
shown at the same time should go far to extend the
reputation he enjoys.

The Leicester Galleries have lately held exhi-
bitions of theworkof Mr. Herbert Marshall, R.W.S.,
and Mr. R. Talbot Kelly, R.I., two well-known
water colourists whose work is very familiar to all
visitors at the Old Water-Colour Society and the
Institute. Other exhibitions of the month include
Mr. C. R. Peter's (of California) oil paintings, at
the Walker Gallery ; Miss Hilda Read's water-
colours and Miss Florence Rimington's jewellery at