DOI Seite / Zitierlink:
https://doi.org/10.11588/diglit.43451#0480
IO
THE INTERNATIONAL STUDIO
November, 1912
NEW YORK STATE
TROY SCHOOL
of ARTS and CRAFTS
(Incorporated by the Regents
of the State of New York)
Broadway, TROY, NEW YORK
Instruction in the Arts and Crafts under
Trained Specialists.
Cast Drawing, Drawing and Painting from
Costume Models, Illustrations, Compositions,
Anatomy, Decorative Design, Oil, Water Color
and Pastel, China Painting.
Wood Carving, Leather Carving, Metal Work,
Weaving, Bookbinding, Modeling, Basket and
Lace Making, Stenciling, Embroidery.
Diplomas and Certificates. Send for Catalogue.
EMILIE C. ADAMS, Director
COLLEGE OF FINE ARTS
SYRACUSE UNIVERSITY
Four-year course in Painting leading to the de-
gree of B. P. Three-year certificate course in De-
sign. Special course in Illustration. Prizes; gradu-
ate fellowship entitling holder to a year’s study
abroad. Special students may enter at any time.
For bulletin and information address Registrar,
Syracuse University, Syracuse, N. Y.
OHIO
ART ACADEMY
OF CINCINNATI
With its large endowment fund
offers unsurpassed facilities for
serious work of training for pro-
fessional careers at moderate
expense. Free access to large
collections of the Art Museum.
Drawing, Painting, Modeling,
Anatomy, Wood Carving and
Applied Design.
FRANK DUVENECK C. J. BARNHORN
L. H. MEAKIN WM. H. FRY and Other.
43d Year, Sept. 23, 1912, to May 30, 1913
For catalog address J. H. GEST, Dir.
Eden Park, Cincinnati
PENNSYLVANIA
School of Industrial Art
OF THE PENNSYLVANIA MUSEUM
BROAD AND PINE STREETS, PHILADELPHIA
Thorough work under trained specialist*
in all branches of Fine and Industrial Art
Special provision for classes in Illustration, Archi-
tecture, Decorative Painting and Sculpture, Pottery,
Metal Work, Industrial Design, Textile Design and
Manufacture. L. W. MILLER, Principal
MICHIGAN
ART SCHOOL
SEVENTEENTH YEAR
Thorough and advanced methods. Classes, day
and evening, in Drawing and Painting, Antique,
Life, Portrait, Illustration, Composition, Artistic
Anatomy. For details and catalogue address
JOHN P. WICKER, Director,
SCHOOL OF FINE ARTS
Dept. P Fine Arts Building, Detroit, Mich.
ILLINOIS
THE ART INSTITUTE o/CHICAGO
ART SCHOOL
W. M. R. FRENCH, Director
N. H. CARPENTER, Secretary
Study art under the most favorable conditions
in this country—in the Art Institute with its art
galleries, permanent collections, passing exhibi-
tions, lecture courses, libraries, and constant as-
sociation with accomplished artists and teachers.
Drawing, Painting, Illustrating, Normal
Instruction, Sculpture, Decorative Design
and Architecture. Students may enter at any
time. No art student, East or West, ought to
select his school until he has seen the illus-
trated catalogue of the Art Institute, mailed
free on application.
ADDRESS THE ART INSTITUTE.
T. J. KEANE, Registrar
Dept. P, Art Institute CHICAGO, ILL.
CHICAGO SCHOOL of
APPLIED and NORMAL ART
EMMA M. CHURCH, Diraetor
Professional training in Illustration, Deco-
rative Design, Commercial Design and Illus-
tration, Normal Art and the Hand Crafts.
Two-year courses.
Limited membership, personal attention.
Graduates in demand in all lines of art activ-
ity. Special summer classes for teachers,
designers, illustrators and others busy during
the rest of the year. Write for particulare to
Secretary, 312-237 MICHIGAN AVENUE.
CHICAGO ACADEMY
OF FINE ARTS
CARL N. WERNTZ, Director
81 E. Madison Street, Chicago
Leads in modern vocational Art training.
Nothing more artistic or practical anywhere.
The $3,000 Prize of the American Academy in
Rome, the highest artistic award open to Americans,
was won by our pupils in both 1911 and 1912.
Former students are everywhere, holding highest
positions as Illustrators, Cartoonists, Teachers,
Designers, Commercial and Fashion Artists, Crafts-
workers, Portrait and Mural Painters, et cetera.
Day, night, Saturday or Sunday classes for be-
ginners and advanced students may be entered at
any time, Summer or Winter. Large and delight-
ful studios.
Inquiries directed to N. N. Werntz, Secretary,
will receive prompt and personal attention.
MASSACHUSETTS
BOSTON, MASS. 37th Year begins Sept. 30
SCHOOL OF THE
MUSEUM OF FINE ARTS
Now installed in new building especially designed and equip-
ped for school uses. Instructors—E. C. Tarbell, F. W. Ben-
son, P. L. Hale, Wm. M. Paxton, Drawing and Painting; B.
L. Pratt, Modeling; P. L. Hale, Anatomy; A. K. Cross, Per-
spective. Department of Design, Huger Elliott, Director; C.
Howard Walker, Instructor. SCHOLARSHIPS—Paige and
Cummings Foreign Scholarships, Helen Hamblen, Gardner,
and Ten Free Scholarships- Prizes in money awarded in each
department. Address ALICE F. BROOKS. Manager.
JAPAN FOR A WEEK
By A. M. Thompson
12mo. Illustrated. $1.50 net. Postage 12 cents
“A new and bright type of the globe trotter’s
travel tale.”—Boston Evening Transcript.
JOHN LANE COMPANY NEW YORK
large Chinese bells are not swung, but se-
curely sustained by ropes and chains fas-
tened to the handle in frames constructed
of strong beams. The bell was struck by a
wooden log, which was made to swing
against one or more of the odd and peculiar
ornaments known as buttons; these pro-
jections are arranged in three rows on each
of the two sides. All the ancient bells of
this kind show these projections, which are
thought to have been used for the purpose
of adjusting the sound, since the bell was
one of the chief musical instruments used
in tuning the temple orchestra. The origi-
nal pattern of this old bell is found in the
Chou dynasty, 1122-255 b.c. The in-
scription is in silver wire, and as interpreted
by Dr. Hirth reads: “Sung Kung Su chi
hong-chung,” the translation of which is
"Hong, bell of Su, Duke of Sung.” The
bell was called Hong as being classed with
a musical instrument, so-called, the inven-
tion of which was ascribed to one of the
fabulous emperors of the third millennium
B.C.
According to the inscription Su was
the personal name of the Duke of Sung,
OLD TEMPLE BELL, CHOU DYNASTY
who caused the bell to be cast. Bells bear-
ing this inscription were cast under the
auspices of a Duke of Sung in the present
province of Hunan, whose reign extended
from 274 to 530 B.c.
Besides the ceremonial vessels, of equal
interest and historic significance are the
bronze metallic mirrors. The main deco-
rative feature of the mirrors is upon the
back. Here, together with ornamental de-
signs, are inscribed the prayers and mottoes
of the owner and symbolic representations
of that particular dynasty or period in
which they were used. They are disk
shaped and held by a silk cord run through
a knob in the center of the ornamented sur-
face.
At the early period of their use they
were the only available objects to reflect
the human face. Magical powers were
attributed to these mirrors. They were re-
garded as a charm against the attacks of
unseen evil spirits that beset the life of a
Chinese, and were hung up over the own-
er’s bed. A noteworthy revelation has
been made by Prof. Frederick Hirth, the
distinguished Chinese teacher and scholar
of Columbia University, New York, and
THE INTERNATIONAL STUDIO
November, 1912
NEW YORK STATE
TROY SCHOOL
of ARTS and CRAFTS
(Incorporated by the Regents
of the State of New York)
Broadway, TROY, NEW YORK
Instruction in the Arts and Crafts under
Trained Specialists.
Cast Drawing, Drawing and Painting from
Costume Models, Illustrations, Compositions,
Anatomy, Decorative Design, Oil, Water Color
and Pastel, China Painting.
Wood Carving, Leather Carving, Metal Work,
Weaving, Bookbinding, Modeling, Basket and
Lace Making, Stenciling, Embroidery.
Diplomas and Certificates. Send for Catalogue.
EMILIE C. ADAMS, Director
COLLEGE OF FINE ARTS
SYRACUSE UNIVERSITY
Four-year course in Painting leading to the de-
gree of B. P. Three-year certificate course in De-
sign. Special course in Illustration. Prizes; gradu-
ate fellowship entitling holder to a year’s study
abroad. Special students may enter at any time.
For bulletin and information address Registrar,
Syracuse University, Syracuse, N. Y.
OHIO
ART ACADEMY
OF CINCINNATI
With its large endowment fund
offers unsurpassed facilities for
serious work of training for pro-
fessional careers at moderate
expense. Free access to large
collections of the Art Museum.
Drawing, Painting, Modeling,
Anatomy, Wood Carving and
Applied Design.
FRANK DUVENECK C. J. BARNHORN
L. H. MEAKIN WM. H. FRY and Other.
43d Year, Sept. 23, 1912, to May 30, 1913
For catalog address J. H. GEST, Dir.
Eden Park, Cincinnati
PENNSYLVANIA
School of Industrial Art
OF THE PENNSYLVANIA MUSEUM
BROAD AND PINE STREETS, PHILADELPHIA
Thorough work under trained specialist*
in all branches of Fine and Industrial Art
Special provision for classes in Illustration, Archi-
tecture, Decorative Painting and Sculpture, Pottery,
Metal Work, Industrial Design, Textile Design and
Manufacture. L. W. MILLER, Principal
MICHIGAN
ART SCHOOL
SEVENTEENTH YEAR
Thorough and advanced methods. Classes, day
and evening, in Drawing and Painting, Antique,
Life, Portrait, Illustration, Composition, Artistic
Anatomy. For details and catalogue address
JOHN P. WICKER, Director,
SCHOOL OF FINE ARTS
Dept. P Fine Arts Building, Detroit, Mich.
ILLINOIS
THE ART INSTITUTE o/CHICAGO
ART SCHOOL
W. M. R. FRENCH, Director
N. H. CARPENTER, Secretary
Study art under the most favorable conditions
in this country—in the Art Institute with its art
galleries, permanent collections, passing exhibi-
tions, lecture courses, libraries, and constant as-
sociation with accomplished artists and teachers.
Drawing, Painting, Illustrating, Normal
Instruction, Sculpture, Decorative Design
and Architecture. Students may enter at any
time. No art student, East or West, ought to
select his school until he has seen the illus-
trated catalogue of the Art Institute, mailed
free on application.
ADDRESS THE ART INSTITUTE.
T. J. KEANE, Registrar
Dept. P, Art Institute CHICAGO, ILL.
CHICAGO SCHOOL of
APPLIED and NORMAL ART
EMMA M. CHURCH, Diraetor
Professional training in Illustration, Deco-
rative Design, Commercial Design and Illus-
tration, Normal Art and the Hand Crafts.
Two-year courses.
Limited membership, personal attention.
Graduates in demand in all lines of art activ-
ity. Special summer classes for teachers,
designers, illustrators and others busy during
the rest of the year. Write for particulare to
Secretary, 312-237 MICHIGAN AVENUE.
CHICAGO ACADEMY
OF FINE ARTS
CARL N. WERNTZ, Director
81 E. Madison Street, Chicago
Leads in modern vocational Art training.
Nothing more artistic or practical anywhere.
The $3,000 Prize of the American Academy in
Rome, the highest artistic award open to Americans,
was won by our pupils in both 1911 and 1912.
Former students are everywhere, holding highest
positions as Illustrators, Cartoonists, Teachers,
Designers, Commercial and Fashion Artists, Crafts-
workers, Portrait and Mural Painters, et cetera.
Day, night, Saturday or Sunday classes for be-
ginners and advanced students may be entered at
any time, Summer or Winter. Large and delight-
ful studios.
Inquiries directed to N. N. Werntz, Secretary,
will receive prompt and personal attention.
MASSACHUSETTS
BOSTON, MASS. 37th Year begins Sept. 30
SCHOOL OF THE
MUSEUM OF FINE ARTS
Now installed in new building especially designed and equip-
ped for school uses. Instructors—E. C. Tarbell, F. W. Ben-
son, P. L. Hale, Wm. M. Paxton, Drawing and Painting; B.
L. Pratt, Modeling; P. L. Hale, Anatomy; A. K. Cross, Per-
spective. Department of Design, Huger Elliott, Director; C.
Howard Walker, Instructor. SCHOLARSHIPS—Paige and
Cummings Foreign Scholarships, Helen Hamblen, Gardner,
and Ten Free Scholarships- Prizes in money awarded in each
department. Address ALICE F. BROOKS. Manager.
JAPAN FOR A WEEK
By A. M. Thompson
12mo. Illustrated. $1.50 net. Postage 12 cents
“A new and bright type of the globe trotter’s
travel tale.”—Boston Evening Transcript.
JOHN LANE COMPANY NEW YORK
large Chinese bells are not swung, but se-
curely sustained by ropes and chains fas-
tened to the handle in frames constructed
of strong beams. The bell was struck by a
wooden log, which was made to swing
against one or more of the odd and peculiar
ornaments known as buttons; these pro-
jections are arranged in three rows on each
of the two sides. All the ancient bells of
this kind show these projections, which are
thought to have been used for the purpose
of adjusting the sound, since the bell was
one of the chief musical instruments used
in tuning the temple orchestra. The origi-
nal pattern of this old bell is found in the
Chou dynasty, 1122-255 b.c. The in-
scription is in silver wire, and as interpreted
by Dr. Hirth reads: “Sung Kung Su chi
hong-chung,” the translation of which is
"Hong, bell of Su, Duke of Sung.” The
bell was called Hong as being classed with
a musical instrument, so-called, the inven-
tion of which was ascribed to one of the
fabulous emperors of the third millennium
B.C.
According to the inscription Su was
the personal name of the Duke of Sung,
OLD TEMPLE BELL, CHOU DYNASTY
who caused the bell to be cast. Bells bear-
ing this inscription were cast under the
auspices of a Duke of Sung in the present
province of Hunan, whose reign extended
from 274 to 530 B.c.
Besides the ceremonial vessels, of equal
interest and historic significance are the
bronze metallic mirrors. The main deco-
rative feature of the mirrors is upon the
back. Here, together with ornamental de-
signs, are inscribed the prayers and mottoes
of the owner and symbolic representations
of that particular dynasty or period in
which they were used. They are disk
shaped and held by a silk cord run through
a knob in the center of the ornamented sur-
face.
At the early period of their use they
were the only available objects to reflect
the human face. Magical powers were
attributed to these mirrors. They were re-
garded as a charm against the attacks of
unseen evil spirits that beset the life of a
Chinese, and were hung up over the own-
er’s bed. A noteworthy revelation has
been made by Prof. Frederick Hirth, the
distinguished Chinese teacher and scholar
of Columbia University, New York, and