18
THE INTERNATIONAL STUDIO
November, 1912
H E assurance that there '
is real help for tired, ex-
hausted nerves has come as a
veritable boon to thousands
of men and women—in a
crisis when their nerves have
broken under the taxation of
strenuous effort, debilitating
illness or weakening worry.
There is no condition where a
lack of physical or mental vigor more
quickly affects efficiency than a lower-
ing of nervous vitality.
The universal indorsement of Sanatogen
by over 16,000 physicians gives scientific
authority to the enthusiastic praise it has re-
ceived from multitudes of grateful men and
women who date their return to nerve-health
from its use.
If you find yourself with shattered, weak¬
ened nerves—at a stage where work is driving
effort—where you lack interest in things in
which you formerly took pleasure—where digestion is impaired—where
sleepless nights are the rule—where you are irritable—you will do well to
give heed to what these physicians have said about Sanatogen.
Sanatogen is a nerve food—scientifically combining the elements neces-
sary to feed the nerves. It is a compound of purest protein and organic
phosphorus in a form that readily and easily digests—imposing no burden
upon the most delicate stomach—and not causing harmful temporary stimu-
lation. Sanatogen is just cell and nerve food—pure, real, ideal.
You may find Sanatogen is what your nerves need.
Write for a Free Copy of “ Nerve Health Regained ”
We ask you earnestly to get acquainted with Sanatogen. Investigate
our claims first, if you like, and we are only too glad to have you do
so. Ask your doctor about it, and in any case write at once for our
book,‘■‘Nerve Health Regained,” written in an absorbingly interest-
ing style, beautifully illustrated and containing facts and information
of vital interest to you. This book also contains evidence of the
value of Sanatogen which is as remarkable as it is conclusive.
Sanatogen is sold in three sizes, $1.00, $1.90, $3.60
Get Sanatogen from your druggist—if not
obtainable from him, sent upon receipt of price.
THE BAUER CHEMICAL CO.
30-P Irving Place New York
Sir Gilbert Parker, M. P.,
The eminent novelist-states-
man, writes from London :
“ Sanatogen is to my mind a
true food-tonic, feeding the
nerves, increasing the energy
and giving fresh vigor to the
overworked body and mind.
John Burroughs,
The distinguished naturalist
and author writes:
“ I am sure I have been
greatly benefited by Sanatogen.
My sleep is fifty per cent, bet-
ter than it was one year ago,
and my mind and strength are
much improved.”
Charles D. Sigsbee,
Rear Admiral, U. S. Navy,
writes:
“After a thorough trial of
Sanatogen, I am convinced of
its merit as a food and tonic.
Its beneficial effects are beyond
doubt.”
U, S. MINERAL WOOL CO., 90 WEST STREET, NEW YORK
SECTION
OF ROOF,
WALL AND
FLOOR, SHOW-
IN G USE OF
MINERAL WOOL
SHUTS IN THE WARMTH IN WINTER
SHUTS OUT THE HEAT IN SUMMER
KEEPS OUT DAMPNESS
CHECKS THE SPREAD OF FIRE
DEADENS NOISES
MAKES WALLS AND FLOORS PROOF
AGAINST RATS, MICE AND VERMIN
Sample and Descriptive Circular on Request
MINERAL WOOL
THE MODERN HOUSE LINING
BOOK REVIEWS
The Painters of the School of Fer-
rara. Edmund G. Gardner, M.A. Illus-
trated. I2mo, 267 pages. (New York:
Charles Scribner’s Sons.) $2.00 net.
The author of this volume has given us a
brief account of the famous school of paint-
ing that originated in Ferrara about the
middle of the fifteenth century, and thence
extended its influence not only to the other
cities that owned the sway of the House of
Este, but spread over all Emilia and Ro-
magna, produced Correggio in Parma and
even shared in the making of Raphael at
Urbino. A list of the more important
works of the painters of the school of Fer-
rara and Bologna, and an index are given
at the end of the volume, and the illustra-
tions, thirty-seven in number, contribute
greatly to the interest of the volume.
On the Art of the Theatre. By Ed-
ward Gordon Craig. Illustrated. 8vo,
296 pages. (Chicago: Browne’s Book-
store.) $2.00 net.
This book is instinct with genius. On
every page are illuminating flashes of
thought, vista-visions, flights of fancy that
betray a mind entirely different from that
of the ordinary pedestrian thinker. In
England Mr. Craig has given a production
or two of his own, and has left his mark
upon one or two productions of other
people. All his work, practical or pro-
phetic, will tend in the same direction—the
vindication of an art of the theatre, and the
rescue of that art from the barren search
after the imitation of nature. The illus-
trations, of which there are sixteen, are
selected from his collection of designs for
stage scenes and costumes. This work is
also issued in a special edition de luxe on
handmade paper, limited to seventy-five
copies for America, each copy signed and
numbered by the author. Several illus-
trations not contained in the regular edi-
tion are included, and all the plates are
printed separately and mounted on dark-
colored backgrounds. The binding is of
half vellum, gilt stamped, with velvet
paper sides. The price is $7.50 net.
The Natural History of Clay. By
Alfred B. Searle, Cantor Lecturer on
Brickmaking. Author of “British
Clays,” “Shalesand Sands,” “The Clay-
worker’s Handbook,” etc., etc. With
illustrations and diagrams. i6mo, 176
pages. (New York: G. P. Putnam’s
Sons.) 40 cents net.
This little book gives us in a simple form
an outline of our present knowledge of the
origin of the substances we know as
“clay,” the processes occurring in its
formation, and the causes of the most
important of its characteristics, and it also
indicates the problems which still lie before
us. The subjects treated of are: The
chemical and physical properties of clays;
Clay and Associated Rocks; The Origins of
Clays; The Modes of Accumulation of
Clays; Some Clays of Commercial Im-
portance; Clay Substance, Theoretical and
Actual. A bibliography and index add to
the usefulness of the manual.
Italian Sculptors. By W. G. Waters.
With 78 illustrations. I2mo, 281 pages.
(New York: George H. Doran Com-
pany.)
The purpose of this volume is to give a
complete biographical and critical review
I
THE INTERNATIONAL STUDIO
November, 1912
H E assurance that there '
is real help for tired, ex-
hausted nerves has come as a
veritable boon to thousands
of men and women—in a
crisis when their nerves have
broken under the taxation of
strenuous effort, debilitating
illness or weakening worry.
There is no condition where a
lack of physical or mental vigor more
quickly affects efficiency than a lower-
ing of nervous vitality.
The universal indorsement of Sanatogen
by over 16,000 physicians gives scientific
authority to the enthusiastic praise it has re-
ceived from multitudes of grateful men and
women who date their return to nerve-health
from its use.
If you find yourself with shattered, weak¬
ened nerves—at a stage where work is driving
effort—where you lack interest in things in
which you formerly took pleasure—where digestion is impaired—where
sleepless nights are the rule—where you are irritable—you will do well to
give heed to what these physicians have said about Sanatogen.
Sanatogen is a nerve food—scientifically combining the elements neces-
sary to feed the nerves. It is a compound of purest protein and organic
phosphorus in a form that readily and easily digests—imposing no burden
upon the most delicate stomach—and not causing harmful temporary stimu-
lation. Sanatogen is just cell and nerve food—pure, real, ideal.
You may find Sanatogen is what your nerves need.
Write for a Free Copy of “ Nerve Health Regained ”
We ask you earnestly to get acquainted with Sanatogen. Investigate
our claims first, if you like, and we are only too glad to have you do
so. Ask your doctor about it, and in any case write at once for our
book,‘■‘Nerve Health Regained,” written in an absorbingly interest-
ing style, beautifully illustrated and containing facts and information
of vital interest to you. This book also contains evidence of the
value of Sanatogen which is as remarkable as it is conclusive.
Sanatogen is sold in three sizes, $1.00, $1.90, $3.60
Get Sanatogen from your druggist—if not
obtainable from him, sent upon receipt of price.
THE BAUER CHEMICAL CO.
30-P Irving Place New York
Sir Gilbert Parker, M. P.,
The eminent novelist-states-
man, writes from London :
“ Sanatogen is to my mind a
true food-tonic, feeding the
nerves, increasing the energy
and giving fresh vigor to the
overworked body and mind.
John Burroughs,
The distinguished naturalist
and author writes:
“ I am sure I have been
greatly benefited by Sanatogen.
My sleep is fifty per cent, bet-
ter than it was one year ago,
and my mind and strength are
much improved.”
Charles D. Sigsbee,
Rear Admiral, U. S. Navy,
writes:
“After a thorough trial of
Sanatogen, I am convinced of
its merit as a food and tonic.
Its beneficial effects are beyond
doubt.”
U, S. MINERAL WOOL CO., 90 WEST STREET, NEW YORK
SECTION
OF ROOF,
WALL AND
FLOOR, SHOW-
IN G USE OF
MINERAL WOOL
SHUTS IN THE WARMTH IN WINTER
SHUTS OUT THE HEAT IN SUMMER
KEEPS OUT DAMPNESS
CHECKS THE SPREAD OF FIRE
DEADENS NOISES
MAKES WALLS AND FLOORS PROOF
AGAINST RATS, MICE AND VERMIN
Sample and Descriptive Circular on Request
MINERAL WOOL
THE MODERN HOUSE LINING
BOOK REVIEWS
The Painters of the School of Fer-
rara. Edmund G. Gardner, M.A. Illus-
trated. I2mo, 267 pages. (New York:
Charles Scribner’s Sons.) $2.00 net.
The author of this volume has given us a
brief account of the famous school of paint-
ing that originated in Ferrara about the
middle of the fifteenth century, and thence
extended its influence not only to the other
cities that owned the sway of the House of
Este, but spread over all Emilia and Ro-
magna, produced Correggio in Parma and
even shared in the making of Raphael at
Urbino. A list of the more important
works of the painters of the school of Fer-
rara and Bologna, and an index are given
at the end of the volume, and the illustra-
tions, thirty-seven in number, contribute
greatly to the interest of the volume.
On the Art of the Theatre. By Ed-
ward Gordon Craig. Illustrated. 8vo,
296 pages. (Chicago: Browne’s Book-
store.) $2.00 net.
This book is instinct with genius. On
every page are illuminating flashes of
thought, vista-visions, flights of fancy that
betray a mind entirely different from that
of the ordinary pedestrian thinker. In
England Mr. Craig has given a production
or two of his own, and has left his mark
upon one or two productions of other
people. All his work, practical or pro-
phetic, will tend in the same direction—the
vindication of an art of the theatre, and the
rescue of that art from the barren search
after the imitation of nature. The illus-
trations, of which there are sixteen, are
selected from his collection of designs for
stage scenes and costumes. This work is
also issued in a special edition de luxe on
handmade paper, limited to seventy-five
copies for America, each copy signed and
numbered by the author. Several illus-
trations not contained in the regular edi-
tion are included, and all the plates are
printed separately and mounted on dark-
colored backgrounds. The binding is of
half vellum, gilt stamped, with velvet
paper sides. The price is $7.50 net.
The Natural History of Clay. By
Alfred B. Searle, Cantor Lecturer on
Brickmaking. Author of “British
Clays,” “Shalesand Sands,” “The Clay-
worker’s Handbook,” etc., etc. With
illustrations and diagrams. i6mo, 176
pages. (New York: G. P. Putnam’s
Sons.) 40 cents net.
This little book gives us in a simple form
an outline of our present knowledge of the
origin of the substances we know as
“clay,” the processes occurring in its
formation, and the causes of the most
important of its characteristics, and it also
indicates the problems which still lie before
us. The subjects treated of are: The
chemical and physical properties of clays;
Clay and Associated Rocks; The Origins of
Clays; The Modes of Accumulation of
Clays; Some Clays of Commercial Im-
portance; Clay Substance, Theoretical and
Actual. A bibliography and index add to
the usefulness of the manual.
Italian Sculptors. By W. G. Waters.
With 78 illustrations. I2mo, 281 pages.
(New York: George H. Doran Com-
pany.)
The purpose of this volume is to give a
complete biographical and critical review
I