DOI Heft:
Studio-Talk
DOI Seite / Zitierlink: https://doi.org/10.11588/diglit.43455#0079
Studio- 'Salk
“THE HOWDEN DAM, DERWENT VALLEY WATERWORKS, NEARING COMPLETION.” DRAWING BY W. R. E. GOODRICH
Other exhibitions of the past month calling fora
reference are Mr. Wynne Apperley’s at Walker’s
Gallery, “Sunlight on the Ruins of Rome,” exhibiting
the treasure house for artists of a certain tempera-
ment amidst the work there of modern excavators ;
and at the Leicester Gallery Mr. Claude Shepper-
son’s original drawings for “ Punch ” showing that
reproduction does not always do this fastidious
draughtsman justice.
The tinted pen drawing by Mrs. Leslia Newall
which we reproduce on page 63 shows that this artist,
who though married is not long past her teens, has
a marked feeling for decorative composition. She
was for more than two years a student at the Slade
School, an institution in which perhaps more than
any other in London sound draughtsmanship is
inculcated as the essential foundation of all good
art. On leaving the Slade Mrs. Newall became a
pupil of Mr. Byam Shaw and we may infer that
under him her natural instinct for decorative
expression has been encouraged.
The excellent drawing of The Howden Dam
which we reproduce on this page is by a young
64
Sheffield artist, Mr. W. R. E. Goodrich, who after
studying at the Sheffield School of Art and in
Italy is now entering upon an artistic career with
much promise of future success.
The Chelsea Arts Club’s Annual Costume Ball
will be held at the Royal Albert Hall, Kensington,
on Wednesday, March 4. As on previous occa-
sions, the arrangements are in the hands of Mr. G.
Sherwood Foster, 15 Queen’s Gate Terrace, S.W.
Messrs. Yamanaka and Co. are holding an exhi-
bition of Japanese decorated screens by Old Masters
in the galleries of the Royal Society of British Artists,
Suffolk Street, Pall Mall. The exhibition remains
open till the 26th inst.
EDINBURGH.—The novelty of the exhi-
bition of the Scottish Society of Artists,
which opened in the Royal Scottish
Academy Galleries in December, was the
collection of pictures by Post-Impressionists,
Futurists, and Cubists. It has always been the aim
of the society to have in its annual collection some
examples of phases of artistic work that the young
“THE HOWDEN DAM, DERWENT VALLEY WATERWORKS, NEARING COMPLETION.” DRAWING BY W. R. E. GOODRICH
Other exhibitions of the past month calling fora
reference are Mr. Wynne Apperley’s at Walker’s
Gallery, “Sunlight on the Ruins of Rome,” exhibiting
the treasure house for artists of a certain tempera-
ment amidst the work there of modern excavators ;
and at the Leicester Gallery Mr. Claude Shepper-
son’s original drawings for “ Punch ” showing that
reproduction does not always do this fastidious
draughtsman justice.
The tinted pen drawing by Mrs. Leslia Newall
which we reproduce on page 63 shows that this artist,
who though married is not long past her teens, has
a marked feeling for decorative composition. She
was for more than two years a student at the Slade
School, an institution in which perhaps more than
any other in London sound draughtsmanship is
inculcated as the essential foundation of all good
art. On leaving the Slade Mrs. Newall became a
pupil of Mr. Byam Shaw and we may infer that
under him her natural instinct for decorative
expression has been encouraged.
The excellent drawing of The Howden Dam
which we reproduce on this page is by a young
64
Sheffield artist, Mr. W. R. E. Goodrich, who after
studying at the Sheffield School of Art and in
Italy is now entering upon an artistic career with
much promise of future success.
The Chelsea Arts Club’s Annual Costume Ball
will be held at the Royal Albert Hall, Kensington,
on Wednesday, March 4. As on previous occa-
sions, the arrangements are in the hands of Mr. G.
Sherwood Foster, 15 Queen’s Gate Terrace, S.W.
Messrs. Yamanaka and Co. are holding an exhi-
bition of Japanese decorated screens by Old Masters
in the galleries of the Royal Society of British Artists,
Suffolk Street, Pall Mall. The exhibition remains
open till the 26th inst.
EDINBURGH.—The novelty of the exhi-
bition of the Scottish Society of Artists,
which opened in the Royal Scottish
Academy Galleries in December, was the
collection of pictures by Post-Impressionists,
Futurists, and Cubists. It has always been the aim
of the society to have in its annual collection some
examples of phases of artistic work that the young