DOI Heft:
Studio-Talk
DOI Seite / Zitierlink:https://doi.org/10.11588/diglit.43455#0089
Studio- Talk
“ALCALA, NEAR SEVILLE” CHARCOAL DRAWING BY LUDWIG ROSCII
( Vienna Secession, Autumn Exhibition)
Triibner and of his pupil Grimm, the distinguished
realism of Groeber, von Brandis, Robbecke, Jacob
and von Kardorf. Dill’s quiet moorland aspects
seemed raised into a sphere of visionary roman-
ticism, and U. Hiibner’s swiftly visualised and
effective new motifs from North German harbours
proved refreshing. Bertram Priestman, Monod-
Gournay and Victor Gilsoul also contributed to
the enjoyment as painters, and there was besides a
graphic section rich in works of merit.
At Werckmeister’s a well-arranged exhibition of
graphic work by some of the best women artists of
the day was on view. Antonie Ritzerow’s etch-
ings with their picturesque naturalism were a strik-
ing feature, and other prominent exhibitors were
Cornelia Paczka-Wagner, H. Weiss, Cl. Sievers,
J. Wolfthorn, Cl. Arnheim, Ema Frank, A.
Loewenstein, Johanna Metzner, Ulli Wolters,
Maria Caspar-Filser, and Frida Winkelmann.
Young artists such as A. Weinhagen and the two
sisters Nicklass also received due attention in this
display. J. J.
74
VIENNA.—The autumn exhibition of the
Secession differed from the general run
of this society’s exhibitions, insomuch
that it was entirely devoted to drawings
and sketches by its members. The note there-
fore was quite distinctive and personal, intro-
ducing us to the more intimate side of the artists’
work. With very few exceptions, the exhibits, being
studies for finished pictures (many of which have
been reproduced in this magazine), were never
intended for public view, and hence were of
peculiar interest, as showing how the final results
were arrived at. Such was the case with the con-
tributions of Ernest Stohr, Alfons Karpinski,
Alfred Poll, Hermann Grom-Rottmayer, Oswald
Roux, Alfred Offner, Richard Harlfinger, and
some few others of the Secession. Ferdinand
Schmutzer contributed both studies for portraits
and interior pictures, the former done in his
masterly manner, bold and virile, the latter sym-
pathetic renderings of familiar Dutch subjects.
Alois Hanisch’s pencil-drawings of landscapes,
cockatoos, hens, cats and other animals were interest-
“ALCALA, NEAR SEVILLE” CHARCOAL DRAWING BY LUDWIG ROSCII
( Vienna Secession, Autumn Exhibition)
Triibner and of his pupil Grimm, the distinguished
realism of Groeber, von Brandis, Robbecke, Jacob
and von Kardorf. Dill’s quiet moorland aspects
seemed raised into a sphere of visionary roman-
ticism, and U. Hiibner’s swiftly visualised and
effective new motifs from North German harbours
proved refreshing. Bertram Priestman, Monod-
Gournay and Victor Gilsoul also contributed to
the enjoyment as painters, and there was besides a
graphic section rich in works of merit.
At Werckmeister’s a well-arranged exhibition of
graphic work by some of the best women artists of
the day was on view. Antonie Ritzerow’s etch-
ings with their picturesque naturalism were a strik-
ing feature, and other prominent exhibitors were
Cornelia Paczka-Wagner, H. Weiss, Cl. Sievers,
J. Wolfthorn, Cl. Arnheim, Ema Frank, A.
Loewenstein, Johanna Metzner, Ulli Wolters,
Maria Caspar-Filser, and Frida Winkelmann.
Young artists such as A. Weinhagen and the two
sisters Nicklass also received due attention in this
display. J. J.
74
VIENNA.—The autumn exhibition of the
Secession differed from the general run
of this society’s exhibitions, insomuch
that it was entirely devoted to drawings
and sketches by its members. The note there-
fore was quite distinctive and personal, intro-
ducing us to the more intimate side of the artists’
work. With very few exceptions, the exhibits, being
studies for finished pictures (many of which have
been reproduced in this magazine), were never
intended for public view, and hence were of
peculiar interest, as showing how the final results
were arrived at. Such was the case with the con-
tributions of Ernest Stohr, Alfons Karpinski,
Alfred Poll, Hermann Grom-Rottmayer, Oswald
Roux, Alfred Offner, Richard Harlfinger, and
some few others of the Secession. Ferdinand
Schmutzer contributed both studies for portraits
and interior pictures, the former done in his
masterly manner, bold and virile, the latter sym-
pathetic renderings of familiar Dutch subjects.
Alois Hanisch’s pencil-drawings of landscapes,
cockatoos, hens, cats and other animals were interest-