Studio-Talk
“ruby” (miniature)
BY EVELYN M. YOUNG
Academy Schools, showed some landscapes, pleasing
both in colour and composition, but her forte is the
painting of miniatures. From among her works of
this character we reproduce an admirably painted
head, Ruby, against an unusual but effective
vermilion background, and a decoratively treated
portrait, charming in colour, entitled May in June.
Miss Sinclair, who comes from Durban, Natal, has
also studied at the Royal Academy Schools. She
was represented in the exhibition by a number of
works in black-and-white, and some water-colours.
The portrait we reproduce shows her decorative
handling of the former medium, and Spring
Morning, painted in water-colour on silk, is grace-
ful in colour and very skilful in the rendering of
the effect of light.
and Otro Manso, are far and away the best—rests
with his peculiar gift for analysis of character rather
than technical skill above the ordinary, except that
a special kind of the latter is to be presumed where
facial character can be so
sympathetically stated.
Certain artists who sent to
this exhibition show a dis¬
tinct tendency to let their
work border upon carica¬
ture, through over-emphasis
of style and extravagant
brush freedom. In con¬
trast with excess of this
kind there were sevferJP
portraits on the wallCdfe- '
pressingly subservient to
the photographic ideal.
The work of Mr. Robert
Gray and Mr. Alfred Hay¬
ward should be remem¬
bered with the best features
of this exhibition, and
though his draughtsman¬
ship fails him, for the sake
of his sense of colour the
name of Mr. Colyn Thom-
son should be added.
Among interesting things at the Ridley Art
Club’s Exhibition at the Grafton Gallery in
February, Miss Atkinson’s Sweet Williams should
be mentioned along with Marseilles, Twilight, by
At Walker’s Galleries in
Bond Street two young
artists, Miss E. M. Young
and Miss H. M. Sinclair,
have just been holding an
exhibition of their work.
Miss Young, who was a
student at the Royal
“MISS MURIEL BOURNE”
BY HELEN M. SINCLAIR
142
“ruby” (miniature)
BY EVELYN M. YOUNG
Academy Schools, showed some landscapes, pleasing
both in colour and composition, but her forte is the
painting of miniatures. From among her works of
this character we reproduce an admirably painted
head, Ruby, against an unusual but effective
vermilion background, and a decoratively treated
portrait, charming in colour, entitled May in June.
Miss Sinclair, who comes from Durban, Natal, has
also studied at the Royal Academy Schools. She
was represented in the exhibition by a number of
works in black-and-white, and some water-colours.
The portrait we reproduce shows her decorative
handling of the former medium, and Spring
Morning, painted in water-colour on silk, is grace-
ful in colour and very skilful in the rendering of
the effect of light.
and Otro Manso, are far and away the best—rests
with his peculiar gift for analysis of character rather
than technical skill above the ordinary, except that
a special kind of the latter is to be presumed where
facial character can be so
sympathetically stated.
Certain artists who sent to
this exhibition show a dis¬
tinct tendency to let their
work border upon carica¬
ture, through over-emphasis
of style and extravagant
brush freedom. In con¬
trast with excess of this
kind there were sevferJP
portraits on the wallCdfe- '
pressingly subservient to
the photographic ideal.
The work of Mr. Robert
Gray and Mr. Alfred Hay¬
ward should be remem¬
bered with the best features
of this exhibition, and
though his draughtsman¬
ship fails him, for the sake
of his sense of colour the
name of Mr. Colyn Thom-
son should be added.
Among interesting things at the Ridley Art
Club’s Exhibition at the Grafton Gallery in
February, Miss Atkinson’s Sweet Williams should
be mentioned along with Marseilles, Twilight, by
At Walker’s Galleries in
Bond Street two young
artists, Miss E. M. Young
and Miss H. M. Sinclair,
have just been holding an
exhibition of their work.
Miss Young, who was a
student at the Royal
“MISS MURIEL BOURNE”
BY HELEN M. SINCLAIR
142