DOI issue:
Studio-Talk
DOI Page / Citation link:https://doi.org/10.11588/diglit.43455#0162
Studio- Talk
of style for the interpretation of atmosphere, and
combines with it an uncommonplace sense of the
picturesque in foreground definitions.
An exhibition of etchings at the gallery of
Messrs. James Connell and Sons was chiefly
notable for examples by Bejot. Mr. D. Y.
Cameron’s Aquanimile was interesting, also Mr.
Martin Hardie’s The Boat-builders Island, Petit
Andelys, and Mr. Ian Strang’s Tagus at Toledo,
but generally speaking over-worked and darkened
plates were too much in evidence, and insufficient
interest shown in open, suggestive draughtsmanship
and purity of line.
At the E. J. Van Wisselingh Gallery oil-paintings
by the Dutch artist H. A. van Daalhoff have been
on view recently, and in many of them was dis-
played a delicate gift for colour in union with an
idealistic impressionism such as was perfected in
France by Carriere.
PARIS.—It is now nine years since Gaston
La Touche founded the Societe Inter-
nationale de la Peinture a l’Eau. Now
that the president is no more, the
members of the Society have regarded it as a
privilege to do honour to his memory by holding
this year a very fine exhibition of his water-colours,
which occupied an entire wall in the galleries of
MM. Chaine and Simonson. Around this collection
the regular exhibitors of the Society assembled a
number of excellent works. Among the best of
the exhibits were the Etudes de Danses by
Auburtin, views of Rome by Avy, decoratively
treated drawings of birds by Bigot, some beauti-
ful studies of flowers by Mlle. Crespel, an
evening scene by Mlle. Este, gouache-drawings
by Gillot, visions of Venice and the Dolomites
by Jeanes, which were dazzling in their display
of colour, a superb Souvenir d'Assise by Simon,
some water-colours of extremely delicate execution
by Mme. Lucien Simon, and some interesting views
of Belgium by Luigini.
“scene de peche (bas-escaut)”
BY ALEXANDRE MARCETTE
(Socittd Internationale de i.a Peinture a I Eau, Paris)
147
of style for the interpretation of atmosphere, and
combines with it an uncommonplace sense of the
picturesque in foreground definitions.
An exhibition of etchings at the gallery of
Messrs. James Connell and Sons was chiefly
notable for examples by Bejot. Mr. D. Y.
Cameron’s Aquanimile was interesting, also Mr.
Martin Hardie’s The Boat-builders Island, Petit
Andelys, and Mr. Ian Strang’s Tagus at Toledo,
but generally speaking over-worked and darkened
plates were too much in evidence, and insufficient
interest shown in open, suggestive draughtsmanship
and purity of line.
At the E. J. Van Wisselingh Gallery oil-paintings
by the Dutch artist H. A. van Daalhoff have been
on view recently, and in many of them was dis-
played a delicate gift for colour in union with an
idealistic impressionism such as was perfected in
France by Carriere.
PARIS.—It is now nine years since Gaston
La Touche founded the Societe Inter-
nationale de la Peinture a l’Eau. Now
that the president is no more, the
members of the Society have regarded it as a
privilege to do honour to his memory by holding
this year a very fine exhibition of his water-colours,
which occupied an entire wall in the galleries of
MM. Chaine and Simonson. Around this collection
the regular exhibitors of the Society assembled a
number of excellent works. Among the best of
the exhibits were the Etudes de Danses by
Auburtin, views of Rome by Avy, decoratively
treated drawings of birds by Bigot, some beauti-
ful studies of flowers by Mlle. Crespel, an
evening scene by Mlle. Este, gouache-drawings
by Gillot, visions of Venice and the Dolomites
by Jeanes, which were dazzling in their display
of colour, a superb Souvenir d'Assise by Simon,
some water-colours of extremely delicate execution
by Mme. Lucien Simon, and some interesting views
of Belgium by Luigini.
“scene de peche (bas-escaut)”
BY ALEXANDRE MARCETTE
(Socittd Internationale de i.a Peinture a I Eau, Paris)
147