DOI issue:
Studio-Talk
DOI Page / Citation link:https://doi.org/10.11588/diglit.43455#0256
Studio- Talk.
Lajos Szlanyi showed much earnest thought in his
work, which is continually growing both in breadth
of manipulation and in the depth of thought every-
where revealed in his pictures. His Autumn in the
Forest should be singled out for the beauty of its
colour, its fine atmospheric effect, and indeed the
whole handling of the subject. In Szlanyi Hungary
has a first-rate landscapist and one in whom
there is every promise of future distinction.
Another landscapist of note is Nandor Katona,
whose views of the Tatra Mountains are singularly
beautiful. This artist is an enthusiastic lover of
Nature, and interprets her charms in a scholarly
manner and with a fine appreciation of her subtle
delights. Another artist whose efforts are worthy
of acknowledgment is Odon Pajtas Szmrecsanyi,
whose scenes of rural landscape are fresh and sunny.
Prof. Robert Nadler, whose work is already well
known to readers of this magazine, surpassed him-
self on this occasion, particularly in his seascapes,
of which one, The Harbour of Tromsoe, is here
reproduced—a work remarkable for the harmony
of its tones, the general beauty of the composition
and the strength and vigour of its treatment.
Andras Mikpja revealed both refinement and
talent in his pictures’Of Venice; Sandor Nyilasy
showed a wealth of enjoyable colour in his
Towards Evening, just a wayside scene but thought-
fully and characteristically rendered, Pal Szinyei-
Merse exhibited a garden scene in which the scent
of the flowers seemed to permeate the atmosphere,
painted as though the artist had lingered lovingly
over his task. Janos Kleh, who contributed several
landscapes, is particularly happy in the treatment
of trees and especially so in broad masses, Bela
Ivanyi-Griinwald, an artist of distinction, was repre-
sented by several works, of which his Awakening
of Spring is an excellent example ; it is a fine inter-
pretation of the young nature just arousing from its
long winter sleep, and is a
remarkably refined piece
of painting. Mention
should also be made of the
charming landscapes exe-
cuted in pure water-colours
by Aladar Edvi-Illes, in
which he displayed a
rare depth of feeling and
tenderness of touch.
Among other notable
works in the exhibition
Juliette by Janos Czencz,
was distinguished for the
admirable treatment of the
flesh, the manipulation of
the drapery and the beauty
of the colour-scheme to
which these have been
made subservient. Madame
Glatz-Wildner is an artist
of great charm and per-
sonality, with a fine sense
of arrangement with regard
to the decorative effect of
her subject, and a refined
manner of expression. Her
Still-Life, here reproduced,
is a good example of her
method of treatment, v> hich
is essentially broad and
artistic. Arthur Heyer
exhibited some very good
“JULIETTE ■’
f Budapest Academy)
BY JANOS CZENCZ
24 I
Lajos Szlanyi showed much earnest thought in his
work, which is continually growing both in breadth
of manipulation and in the depth of thought every-
where revealed in his pictures. His Autumn in the
Forest should be singled out for the beauty of its
colour, its fine atmospheric effect, and indeed the
whole handling of the subject. In Szlanyi Hungary
has a first-rate landscapist and one in whom
there is every promise of future distinction.
Another landscapist of note is Nandor Katona,
whose views of the Tatra Mountains are singularly
beautiful. This artist is an enthusiastic lover of
Nature, and interprets her charms in a scholarly
manner and with a fine appreciation of her subtle
delights. Another artist whose efforts are worthy
of acknowledgment is Odon Pajtas Szmrecsanyi,
whose scenes of rural landscape are fresh and sunny.
Prof. Robert Nadler, whose work is already well
known to readers of this magazine, surpassed him-
self on this occasion, particularly in his seascapes,
of which one, The Harbour of Tromsoe, is here
reproduced—a work remarkable for the harmony
of its tones, the general beauty of the composition
and the strength and vigour of its treatment.
Andras Mikpja revealed both refinement and
talent in his pictures’Of Venice; Sandor Nyilasy
showed a wealth of enjoyable colour in his
Towards Evening, just a wayside scene but thought-
fully and characteristically rendered, Pal Szinyei-
Merse exhibited a garden scene in which the scent
of the flowers seemed to permeate the atmosphere,
painted as though the artist had lingered lovingly
over his task. Janos Kleh, who contributed several
landscapes, is particularly happy in the treatment
of trees and especially so in broad masses, Bela
Ivanyi-Griinwald, an artist of distinction, was repre-
sented by several works, of which his Awakening
of Spring is an excellent example ; it is a fine inter-
pretation of the young nature just arousing from its
long winter sleep, and is a
remarkably refined piece
of painting. Mention
should also be made of the
charming landscapes exe-
cuted in pure water-colours
by Aladar Edvi-Illes, in
which he displayed a
rare depth of feeling and
tenderness of touch.
Among other notable
works in the exhibition
Juliette by Janos Czencz,
was distinguished for the
admirable treatment of the
flesh, the manipulation of
the drapery and the beauty
of the colour-scheme to
which these have been
made subservient. Madame
Glatz-Wildner is an artist
of great charm and per-
sonality, with a fine sense
of arrangement with regard
to the decorative effect of
her subject, and a refined
manner of expression. Her
Still-Life, here reproduced,
is a good example of her
method of treatment, v> hich
is essentially broad and
artistic. Arthur Heyer
exhibited some very good
“JULIETTE ■’
f Budapest Academy)
BY JANOS CZENCZ
24 I