International studio — 52.1914
Zitieren dieser Seite
Bitte zitieren Sie diese Seite, indem Sie folgende Adresse (URL)/folgende DOI benutzen:
https://doi.org/10.11588/diglit.43455#0485
DOI Heft:
No. 208 (June, 1914)
DOI Artikel:In the Galleries
DOI Seite / Zitierlink:https://doi.org/10.11588/diglit.43455#0485
In the Galleries
i
Courtesy The Macbeth Galleries
WATERFALL BY WINSLOW HOMER
with a picture apiece. Especially worthy of notice
are Emil Carlsen’s Old Sycamore, whose white
limbs extend appealingly to a storm-laden sky
with fine effect; W. M. Chase’s Friendly Advice,
two women in earnest conversation in a handsome
boudoir, painted with splendid dash and observa-
tion; a good Bruges scene by Ossip Linde and a
fine snow effect by F. K. M. Rehn.
National Academy of Design, Spring Exhibition
AFTER SUPPER BY CHARLES BITTINGER
CXXVIII
i
Courtesy The Macbeth Galleries
WATERFALL BY WINSLOW HOMER
with a picture apiece. Especially worthy of notice
are Emil Carlsen’s Old Sycamore, whose white
limbs extend appealingly to a storm-laden sky
with fine effect; W. M. Chase’s Friendly Advice,
two women in earnest conversation in a handsome
boudoir, painted with splendid dash and observa-
tion; a good Bruges scene by Ossip Linde and a
fine snow effect by F. K. M. Rehn.
National Academy of Design, Spring Exhibition
AFTER SUPPER BY CHARLES BITTINGER
CXXVIII