International studio (57.1915/1916)

Studio-Talk


“the vanity glass”

BY ROBERT HOPE, A.R.S.A.

some worthy pictures, such
as the portraits by F. T.
Copnall, R. E. Morrison,
Will C. Penn, and G. Hall
Neale; oil landscapes by
James Tl Watts, Herbert
Royle, Thomas Huson,
Hamilton Hay, William
Hoggatt, David Woodlock,
and W. Alison Martin.
Capable subject - pictures
include Sarah Jane by
Gilbert Rogers and Maria
Virgo by Miss May
Cooksey.

The chief pictures by
outside artists include the
Chantrey Greiffenhagen,
Women by a Lake, W.
Orpen’s Marchioness of
Headfort and Western
Wedding, Richard Jack’s
admirable portrait of Mr. Pomeroy and his
Homeless, Lee Hankey’s Performing Bear, Arnesby
Brown’s Wide Marshes, Wilson Steer’s Deserted

Quarry, Gerald Moira's A July Day, Undine by
Arthur Rackham, Francis Howard’s Interlude, a
nude by A. Mancini, L. G. Macarthur’s Dighting
Beans, Tom
M o s t y n ’ s A
Garden of Peace,
A Sussex Stone
Quarry b y
Oliver Hall,
Howard Somer-
ville’s th e
Studio, No. 2,
Cloudless June
by Jose Weiss,
and H. A. Oli-
vier’s Where
Belgiu m g reeted
Britain. The
Scottish school,
always well
represented at
Liverpool, is
especially so this
year, by a large
number of ex-
hibits, which in-
clude Nether
Lochaber and
two drawings by
D. Y. Cameron,
Gemmell Hut-

BY D. Y. CAMERON, A.R.A., A.R.S.A.


“NETHER lochaber”
2 1-4