International studio — 57.1915/1916
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https://doi.org/10.11588/diglit.43460#0432
DOI Heft:
Nr. 228 (February 1916)
DOI Artikel:In the galleries
DOI Seite / Zitierlink:https://doi.org/10.11588/diglit.43460#0432
In the Galleries
Courtesy Folsom Galleries
ICE ON THE WATER PITCHER BY HENRY SALEM HUBBELL
Courtesy Kraushaar Galleries
ANNIE AND DORA
BY GEORGE LUKS
IN THE GALLERIES
Nothing so far in the art season has
transpired of such interest as the dispersal of
the Hugo Reisinger collection.
A feature of the sale was the high prices paid
for the American pictures. J. H. Twachtman’s
Wild Cherry Tree brought a record auction price
for works by that artist, M. Knoedler & Co.
paying $4,350. The same firm paid $3,300 for
Twachtman’s TiAzter Fall, Yellowstone Park.
Landscape, by J. Francis Murphy, went for
$4,950 to Charles Lansing Baldwin. A collector
represented by M. Rudert paid $3,225 for Childe
Hassam’s Brooklyn Bridge in Winter.
A display of choice Friesekes in the upper
galleries and John F. Carlson below is a very
creditable performance on the part of those
great upholders of the best contemporary Ameri-
can art, the Macbeth Galleries. Carlson’s Snow-
bound Stream reminds one in subject of Fritz
Thaulow, but it is much freer and more solidly
painted than anything we have seen by Thaulow.
CXXXIII
Courtesy Folsom Galleries
ICE ON THE WATER PITCHER BY HENRY SALEM HUBBELL
Courtesy Kraushaar Galleries
ANNIE AND DORA
BY GEORGE LUKS
IN THE GALLERIES
Nothing so far in the art season has
transpired of such interest as the dispersal of
the Hugo Reisinger collection.
A feature of the sale was the high prices paid
for the American pictures. J. H. Twachtman’s
Wild Cherry Tree brought a record auction price
for works by that artist, M. Knoedler & Co.
paying $4,350. The same firm paid $3,300 for
Twachtman’s TiAzter Fall, Yellowstone Park.
Landscape, by J. Francis Murphy, went for
$4,950 to Charles Lansing Baldwin. A collector
represented by M. Rudert paid $3,225 for Childe
Hassam’s Brooklyn Bridge in Winter.
A display of choice Friesekes in the upper
galleries and John F. Carlson below is a very
creditable performance on the part of those
great upholders of the best contemporary Ameri-
can art, the Macbeth Galleries. Carlson’s Snow-
bound Stream reminds one in subject of Fritz
Thaulow, but it is much freer and more solidly
painted than anything we have seen by Thaulow.
CXXXIII