International studio (57.1915/1916)

IVith the Portraitists and Elsewhere


of colour in his Fishing hied Concarneau as
had W. C. Watts in his sketches of Dalmatia and
Bosnia. J. Wesley Little displayed subtle
tonality in his Monterey Oaks and Coast
Cedars. Felicie Waldo Howell showed some
capital work in opaque colour in her Tenement
Street, Philadelphia, and in A Marketing

Martha's Vineyard. Miss Alice Schille was
equally effective in pure aquarelle as she used it
in The Top of the Road. Charles P. Gruppe
exhibited a landscape showing fine atmospheric
effects and entitled The Rain Cloud. He was
also represented by a figure subject, well drawn
and coloured, entitled A;z Interesting Book.

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