DOI Heft:
Nr. 227 (January 1916)
DOI Artikel:In the galleries
DOI Seite / Zitierlink:https://doi.org/10.11588/diglit.43460#0327
In the Galleries
more pleasing than anything bigger that she
attempts.
Ruth Murchison has been on view at the
Goupil Galleries with several versions of a
peculiarly unbeautiful Vollendamer maid. In
spite of a somewhat postery appearance, the
canvases are distinctly interesting in colour and
design, even if somewhat crude.
Dorothy McNamee has also been on view at
Goupil’s, with portrait drawings in sanguine, of
great delicacy and reminiscent of the early
Flemings in spirit. Here, too, are excellent
examples of that great Milanese animal sculptor,
Rembrandt Bugatti. His eight-horse team
dragging a heavily-laden wagon is a masterpiece
which has been noted here before.
The Ehrich Galleries assembled, in December,
forty-two examples of early American landscape,
giving a good, if not complete, survey of the
Hudson River School.
Childe Hassam is the subject of a special article
occasioned by his big display at the Montross
Galleries. Seventy-five etchings, by this great
artist, have been on view at Keppel’s where his
fine dry prints occasioned vivid interest.
The Zorachs, husband and wife, have been
seen at the Daniel Galleries with their quaint
landscapes and figures which command interest
for their many-sided appeals to the outre in art.
Following a fine plein-air exhibition of figure
work, by H.L. Hildebrandt, the City Club secured
a joint exhibition by Lester Boronda, well-known
by visitors to the Macbeth Galleries, and a new-
comer, Armin C. Hansen, whose marines are
dashed in with considerable truth and force.
Hansen has qualities which will push him to
the front where he belongs.
The Macbeth Galleries have once more
given their galleries over to the men who paint
the Far West. A most delightful exhibition
has resulted, many of the canvases giving the
colour, spaciousness and atmosphere in a
manner not yet arrived at.
One of the illustrations shews the work of
Susan Ricker Knox who is about to hold her
second exhibition of portrait work at Rochester,
owing to the first having been so popular. Miss
Knox was at one time in danger of being tagged
and labelled as a painter of children, but many of
her successful sittings are children of fifty or
sixty years. The label is at times erroneous and
discouraging.
BIRD AND FLOWER DECORATION SCHEMES BY MUNICIPAL HIGH SCHOOL PUPILS, NEW YORK
CII
more pleasing than anything bigger that she
attempts.
Ruth Murchison has been on view at the
Goupil Galleries with several versions of a
peculiarly unbeautiful Vollendamer maid. In
spite of a somewhat postery appearance, the
canvases are distinctly interesting in colour and
design, even if somewhat crude.
Dorothy McNamee has also been on view at
Goupil’s, with portrait drawings in sanguine, of
great delicacy and reminiscent of the early
Flemings in spirit. Here, too, are excellent
examples of that great Milanese animal sculptor,
Rembrandt Bugatti. His eight-horse team
dragging a heavily-laden wagon is a masterpiece
which has been noted here before.
The Ehrich Galleries assembled, in December,
forty-two examples of early American landscape,
giving a good, if not complete, survey of the
Hudson River School.
Childe Hassam is the subject of a special article
occasioned by his big display at the Montross
Galleries. Seventy-five etchings, by this great
artist, have been on view at Keppel’s where his
fine dry prints occasioned vivid interest.
The Zorachs, husband and wife, have been
seen at the Daniel Galleries with their quaint
landscapes and figures which command interest
for their many-sided appeals to the outre in art.
Following a fine plein-air exhibition of figure
work, by H.L. Hildebrandt, the City Club secured
a joint exhibition by Lester Boronda, well-known
by visitors to the Macbeth Galleries, and a new-
comer, Armin C. Hansen, whose marines are
dashed in with considerable truth and force.
Hansen has qualities which will push him to
the front where he belongs.
The Macbeth Galleries have once more
given their galleries over to the men who paint
the Far West. A most delightful exhibition
has resulted, many of the canvases giving the
colour, spaciousness and atmosphere in a
manner not yet arrived at.
One of the illustrations shews the work of
Susan Ricker Knox who is about to hold her
second exhibition of portrait work at Rochester,
owing to the first having been so popular. Miss
Knox was at one time in danger of being tagged
and labelled as a painter of children, but many of
her successful sittings are children of fifty or
sixty years. The label is at times erroneous and
discouraging.
BIRD AND FLOWER DECORATION SCHEMES BY MUNICIPAL HIGH SCHOOL PUPILS, NEW YORK
CII