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Jameson, Anna
Companion to the most celebrated private galleries of art in London: containing accurate catalogues, arranged alphabetically, for immediate reference, each preceded by an historical & critical introduction, with a prefactory essay on art, artists, collectors & connoisseurs — London: Saunders and Otley, 1844

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https://doi.org/10.11588/diglit.61252#0242
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198 THE SUTHERLAND GALLERY.
SARTO (Andrea del).
79 A Holy Family.
SASSO FERRATO.
80 The Virgin and Child.
SCHIAVONE (Andrea), b. 1522; d. 1582. Venetian S. [An imi-
tator of Titian. See p. 120.]
81 An Entombment.—The body of the Saviour sup-
ported by angels. The head of Joseph of Arimathea is
seen behind; figures not quite full length, and life size.
C. 3 ft. 9 in. by 3 ft.
SIRANI (Elisabetta), b. 1638 ; d. 1665. Bologna S.
82 [See p. 126. Four pictures by her hang in the private apartments
of the Duchess.]
SPAD A (Lionello), b. 1576 ; d. 1622. [First a scholar of the Carracci,
then an imitator of Caravaggio.]
86 Portrait.—A young man reading; half length.
IL SPAGNOLETTO (Giuseppe Ribera), b. 1589 ; d. 1656.
[Though a Spaniard by birth, he studied his art in Italy, and is
classed sometimes with the Spanish, sometimes with the Neapolitan
school. He was among the numerous followers of Caravaggio, yet
had too much originality of conception and style to be ranked with
the herd of the Caravaggisti. He was a remarkable man, whose
gloomy, earnest, fiery Spanish temperament gave a peculiar character
to his works, of which I could hardly point to a finer example than
the first picture here.]
87 Christ and his Disciples at Emmaus.—Three
figures life size, not quite full length. The merit here is
in the intensity and energy of the expression, in the power-
ful depth of the effect, and masterly painting—all charac-
teristic of the artist.
88 Head of St. Peter.
STEFANO (da Ferrara.) [Fl. 1475 ; a scholar of Squarcione, who
had a school of art at Padua in 1452,]
 
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