Jameson, Anna: Companion to the most celebrated private galleries of art in London: containing accurate catalogues, arranged alphabetically, for immediate reference, each preceded by an historical & critical introduction, with a prefactory essay on art, artists, collectors & connoisseurs (London: Saunders and Otley, 1844)

LANSDOWNE COLLECTION.

323

as well as the most considerable in size, ever painted by
Callcott. B.
116 Landscape.—A view over the Campagna of Rome. On
the right, buildings, with a religious procession; and on the
left a herdsman and his flock. The effect of air, distance,
and extent of country most happily and beautifully ex-
pressed. B.
COLLINS, (W.), R.A., living in 1843.
117 Christ disputing with the Doctors.—A composition of eight
small figures, half length. Joseph and Mary are seen en-
tering behind. The head of Christ must be pronounced a
failure. The heads of the old doctors are finely painted,
but rather vulgarly conceived. The colouring is very
powerful and harmonious, the impasto rich. B.
This was the first picture, I think, which Collins exhi-
bited after his return from Italy, and very much astonished
those who had admired his rustic and sea-shore scenes.
118 The Bird Catchers. B.
COOKE (E. W.), living in 1843.
119 Mont St. Michel, in Normandy. B.
COOPER (Douglas).
120 Othello relating his history to Desdemona and her father.
COPE (C. W.), living in 1843.
121 The Entrance to the Church of St. Mark, at Venice.—A
duenna leading a little girl. B.
EASTLAKE (Charles Lock), R.A., living in 1843.
122 Scene in the year of the Jubilee, or anno Santo; Italian
Pilgrims approaching the city of Rome.
123 The companion; a similar subject. Both pictures painted
in 1834. B.
GAINSBOROUGH (Thomas), b. 1727 ; d. 1788. [See p. 276.]
124 Landscape.—A group of cattle, driven by a peasant, de-
scending a bank towards the spectator. Nearer to the