Jameson, Anna: Companion to the most celebrated private galleries of art in London: containing accurate catalogues, arranged alphabetically, for immediate reference, each preceded by an historical & critical introduction, with a prefactory essay on art, artists, collectors & connoisseurs (London: Saunders and Otley, 1844)

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LANSDOWNE COLLECTION.

landscape.—A sandy bank (as usual); two lofty trees
behind. The trunk of a felled tree, and a pool of water,
in the foreground. A man, on a white horse, is seen
going along a road, and a man is seated with two dogs on
the left. B.

{Hobern (JBngltelj 39atnter£i.
BONE (H. P.)
The following eight enamels are copies from celebrated
pictures, and will probably, like the mosaics, outlive the
originals. Both colours and material defy the action of
time.
Vanity.—After Lionardo da Vinci.
Virgin and Child.—After Raphael.
Danae.—After Titian.
La Vierge-au-Panier.—After Correggio.
Susannah and the Elders.—After Guido.
Lot and his Daughters.—After Guido.
Head of Christ.
Master Crewe, in the costume of Henry VIII.—After Sir
Joshua Reynolds.
BONNINGTON (Richard Parkes), b. 1801; d. 1828.
A Coast Scene—with fishermen and children. Very fresh
and beautiful in effect. B.
CALCOTT (Sir Augustus W.), R.A., living in 1843.
A View on the Thames. To the right is a bark with the
sail up, from which a boat is putting off, with two men in
it. In the foreground a wherry loaded with vegetables,
in which is a waterman with a red coat and badge. A
little beyond is another boat, with two men, one of whom
is standing. Shipping and various craft in the distance.
A large picture, (about 6 ft. by 5 ft.) and one of the finest,