Jameson, Anna: Companion to the most celebrated private galleries of art in London: containing accurate catalogues, arranged alphabetically, for immediate reference, each preceded by an historical & critical introduction, with a prefactory essay on art, artists, collectors & connoisseurs (London: Saunders and Otley, 1844)

THE BRIDGEWATER GALLERY.

133

in England in the reign of Elizabeth. See the Hampton Court Gal-
lery, No. 41.]
127 A Head of a Young Girl.
Purchased by Lord Francis Egerton.
ZUCCARO (Taddeo), b. 1529 ; d. 1566. Roman S.
128 The Transfiguration, i ft. n|by 2 ft. 6 in.

dFIanLIj, Shit ci), anti German
painters.
ARTOIS (Jacques), b. 1613; d. 1665. [An admirable Flemish
landscape painter, scholar of Jan Wildens.]
129 A Woody Landscape—with a group of figures in the
foreground. The figures by Teniers, io in. by 14 in.
ARY DE VOYS, b. Leyden, 1641. [I have not seen more than
three or four pictures by this very rare and elegant artist, who painted
small portraits and fancy subjects. He married, when young, a rich
wife, and abandoned the practice of his art.]
130 Portrait of a young Student.—Small half-length,
in a plain grey doublet, flowing hair, and point lace cravat,
holding a book. Most spirited and delicate.
P. 7| in. by 5 j in.
131 A young Man reading a Ballad to a young
Woman.—Half-length figures. P. 9| in. by 7j in.
ASSELYN (Jan), b. 1610, at Antwerp; d. 1660. [This painter
studied first under Isaac Van Ostade, and Esais Vander Velde, but
soon after went to Italy, and took to imitating Karel Dujardin, who,
though much younger than himself, was the painter in vogue.]
132 A Landscape.—View on the Tiber, with a lofty bridge,
(the “ Ponte Molle,”) and cattle and figures preparing to
ford a stream. 1 ft. 5]- in. by 1 ft. 10J in.