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Universitätsbibliothek HeidelbergUniversitätsbibliothek Heidelberg
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Jameson, Anna
Companion to the most celebrated private galleries of art in London: containing accurate catalogues, arranged alphabetically, for immediate reference, each preceded by an historical & critical introduction, with a prefactory essay on art, artists, collectors & connoisseurs — London: Saunders and Otley, 1844

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https://doi.org/10.11588/diglit.61252#0449

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COLLECTION OF MR. ROGERS. 405
tion, and that of Sir T. Lawrence. In Passavant’s Cata-
logue of Raphael’s Drawings, No. 343.
Study.—Madonna and Child, with St. John. Drawing,
in red chalk; apparently a first thought for the Madonna
del Cardellino.
Part of the Cartoon for the large Holy Family painted for
Francis I., and now in the Louvre. It contains the figure
of Christ.

dFIontd) anh ©utd) ^cTjooIsJ.
HEMMELINCK (John), b. about 1430; d. about 1484.* [A painter
of Bruges, and one of the most distinguished of the early Flemish
school, sometimes called Hans Hemmling, and Memling.J
42 Virgin and Child—throned in a gothic niche. Most
exquisitely and elaborately painted. The figures are full
length, and she is feeding the infant from her bosom.
A small miniature painting, about 6 in. by 4 in. It has been attri-
buted, by an excellent judge, to Van Eyck.
43 Portrait of Hemmelinck—by himself. Painted when
he was received into the hospital at Bruges, as a patient,
after being wounded in battle. This curious portrait
bears the date 1462, but is perfectly fresh, and most deli-
cately painted ; the hair, for instance, is touched with the
utmost minuteness, and yet the silky, flowing texture
conveyed with the utmost freedom of pencil.f
P. 12 in. by in.
HOLBEIN (Hans), b. 1498; d. 1554.
44 A small Head of a Man.
NEEFS (Peter), b. 1570 ; d. 1651.
45 A small Interior of a Church.

* The dates are uncertain. According to the latest German authorities, the
best on such points, he died in Spain, in the Carthusian convent of Miraflores,
about 14Q9.
t There is a picture at Hampton Court, a little portrait, (No. 258, First Series,)
which appears to me to have been painted by the same hand.
 
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