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Universitätsbibliothek HeidelbergUniversitätsbibliothek Heidelberg
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Jameson, Anna
Companion to the most celebrated private galleries of art in London: containing accurate catalogues, arranged alphabetically, for immediate reference, each preceded by an historical & critical introduction, with a prefactory essay on art, artists, collectors & connoisseurs — London: Saunders and Otley, 1844

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https://doi.org/10.11588/diglit.61252#0204

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THE BRIDGEWATER GALLERY.

fHobern CBncjItel), anb ^trman ^atntcrg.
— BLAKE.
288 Dead Game and Wild Ducks.—Purchased by Lord Fran-
cis Egerton.
BOXALL (W.), living in 1843.
289 Two Studies of Female Heads.
BRIGGS (H. P.), R.A., living in 1843.
290 Scene from Count Fathom.—A wounded Austrian officer
preparing to shoot a female marauder on the field of
battle. An early picture of the artist, who has since de-
voted himself to portraiture.
CALCOTT (Sir Augustus), R.A., living in 1843.
291 A View on the Rhine.
DOBSON (William), b. 1610; d. 1646. [An excellent English por-
trait painter in the service of Charles I. He succeeded Van Dyck as
sergeant-painter, and groom of the chamber to the King, in 1642.]
292 Head of Charles I.—Seen in profile, looking down. A
spirited study.
293 Portrait of Cleveland, the Poet.*—Purchased by Lord
Francis Egerton.
DEIGHTON.
294 The Death of Nelson.—The deck of the Victory, during
the battle of Trafalgar, 1805.
GAINSBOROUGH (Thomas), b. 1727; d. 1788. (See the Gros-
venor Gallery.)
295 A Study for a Family Picture.—A gentleman, three
ladies, and three children, grouped in the foreground of a
woody landscape, on the right of which are two youths
* John Cleveland was strongly attached to Charles I., and a writer of satires,
poems, and pamphlets in defence of the royal cause, for which he suffered im-
prisonment under Cromwell. He was at Oxford with King Charles, at the same
time with Dobson, in 1642, when this picture was probably painted.
 
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