192
ANGELICA KAUFFMANN
Holt, Mr. W. J.,
57 Montagu Square,
London.
Harrington, The Earl
of,
Elvaston Castle,
Derby.
Home, The Earl of,
The Hirsel,
Coldstream,
Berwick.
Ilchester, Mary,
Countess of,
Holland House,
Kensington, W.
Johnston, Capt. C.,
44 Chelsea Park
Gardens.
side. There is a green curtain to the left.
Mr. Milner of the N.P.G. has seen the picture,
and pronounces it to be a genuine work.
Prudence, Beauty and Love.
Sold to Mr. Holt by Agnew’s (2938).
Portrait of Lady Harwood, three-quarter length, in
ermine and crimson robes.
Picture of Rinaldo and Armida.
Self portrait of Angelica.
Shown at the exhibition of National Portraits in
1867 (531). Oval, 24 x 18.
Three-quarter length of Abigail, Countess of
Home. 50 x 40.
Classical scene. Paris and Helen. Engraved by
Valentine Green. 50 x 40.
Perhaps the picture exhibited at the Royal Academy,
!774 (i47)-
Scene from Ossian. The Power of Love. En-
graved by Ogborne. 50 x 40.
Portrait of Angelica Kauffmann by herself, half-
length, facing the spectator. Rose-coloured
dress with white front trimmed with gold.
Hanging in the Print room, No. 116. Described
on p. 85 of the privately printed catalogue of the
pictures (1904).
Three-quarter length portrait of Miss Conway,
afterwards Mrs. Damer, in white dress and
pale yellow drapery and mauve sash. Signed
and dated 1766.
There is an interesting reference to this picture in
a letter which Lady Mary Coke wrote to her
sister, the Countess of Stafford, on the 2nd of
August, 1766. She says : “ I went to Lady
Ailesbury’s, and found her and Mr. Conway
were going to a painter who has just arrived
from Italy, and was brought over by Lady
Wentworth, the same who drew a picture of
Mr. Garrick, which was shown, I am told, in
the exhibition. I went with them, and saw
the picture she was painting of Miss Conway.
ANGELICA KAUFFMANN
Holt, Mr. W. J.,
57 Montagu Square,
London.
Harrington, The Earl
of,
Elvaston Castle,
Derby.
Home, The Earl of,
The Hirsel,
Coldstream,
Berwick.
Ilchester, Mary,
Countess of,
Holland House,
Kensington, W.
Johnston, Capt. C.,
44 Chelsea Park
Gardens.
side. There is a green curtain to the left.
Mr. Milner of the N.P.G. has seen the picture,
and pronounces it to be a genuine work.
Prudence, Beauty and Love.
Sold to Mr. Holt by Agnew’s (2938).
Portrait of Lady Harwood, three-quarter length, in
ermine and crimson robes.
Picture of Rinaldo and Armida.
Self portrait of Angelica.
Shown at the exhibition of National Portraits in
1867 (531). Oval, 24 x 18.
Three-quarter length of Abigail, Countess of
Home. 50 x 40.
Classical scene. Paris and Helen. Engraved by
Valentine Green. 50 x 40.
Perhaps the picture exhibited at the Royal Academy,
!774 (i47)-
Scene from Ossian. The Power of Love. En-
graved by Ogborne. 50 x 40.
Portrait of Angelica Kauffmann by herself, half-
length, facing the spectator. Rose-coloured
dress with white front trimmed with gold.
Hanging in the Print room, No. 116. Described
on p. 85 of the privately printed catalogue of the
pictures (1904).
Three-quarter length portrait of Miss Conway,
afterwards Mrs. Damer, in white dress and
pale yellow drapery and mauve sash. Signed
and dated 1766.
There is an interesting reference to this picture in
a letter which Lady Mary Coke wrote to her
sister, the Countess of Stafford, on the 2nd of
August, 1766. She says : “ I went to Lady
Ailesbury’s, and found her and Mr. Conway
were going to a painter who has just arrived
from Italy, and was brought over by Lady
Wentworth, the same who drew a picture of
Mr. Garrick, which was shown, I am told, in
the exhibition. I went with them, and saw
the picture she was painting of Miss Conway.