DOI Seite / Zitierlink:
https://doi.org/10.11588/diglit.66024#0329
LIST OF WORKS
197
London,
The National
Portrait Gallery,
St. Martin’s Lane.
London,
The Victoria and
Albert Museum.
Portrait of herself, oval, half length, in a white
dress with yellow scarf. She rests her right
hand, holding a porte-crayon, on a portfolio;
the other, without a ring, is raised to her breast.
John Simpson, No. 1485.
Crayon drawing of Benjamin West, P.R.A. Dated
1763. No. 1649.
Portrait in oil, representing Emma Hart, Lady
Hamilton, painted at Naples, 1796. Canvas,
18x13. No.. 579-75.
Picture representing a sleeping nymph watched by
a shepherd.
Painted on copper. Oval, I2| X 15. Signed.
No. 24-86.
Picture representing a Nymph drawing her Bow
on a Swain.
Copper, oval, 121 by 15. Signed.
Sketch of Classical Figures.
Paper, x 10. Dyce bequest.
DRAWINGS
Iris sent to Helen to bring her to behold the fight between Paris and
Menelaus. Design for a semicircular panel above a mirror. From the collec-
tign of Benjamin West. Acquired by the testator in 1908.
In inh. Iris sent to Helena to bring her to behold the fight of Paris and
Menelaus. At back a sketch to show disposition of the finished painting.
Pen and wash. Semi-circular. (5- x 11- ), E. 4013-1919.
Bernard H. Webb bequest.
A Female Figure measuring a globe. From the collection of Benjamin
West. Acquired by the testator in 1906.
T ‘j 7 „ j 7 f Angelica Kauffmann.
In penal i97 and Pen and wash. | Jn m E 4OI4_igig.
Bernard H. Webb bequest.
Grief. Three studies of figures, one of a head and one of a hand. From
the collection of Benjamin West. Acquired by the testator in 1906.
Pen and ink. (6J x 11). E. 4016—1919.
Bernard H. Webb bequest.
In the Dyce Collection, in the same museum, there are four drawings, as
follows :—
Armida and Medoro (Orlando Furioso).
The Shepherdess, seated on a bench, with a crook on her shoulder, taking
her lover’s likeness on the bark of a tree; he is seated, and turns to show his
197
London,
The National
Portrait Gallery,
St. Martin’s Lane.
London,
The Victoria and
Albert Museum.
Portrait of herself, oval, half length, in a white
dress with yellow scarf. She rests her right
hand, holding a porte-crayon, on a portfolio;
the other, without a ring, is raised to her breast.
John Simpson, No. 1485.
Crayon drawing of Benjamin West, P.R.A. Dated
1763. No. 1649.
Portrait in oil, representing Emma Hart, Lady
Hamilton, painted at Naples, 1796. Canvas,
18x13. No.. 579-75.
Picture representing a sleeping nymph watched by
a shepherd.
Painted on copper. Oval, I2| X 15. Signed.
No. 24-86.
Picture representing a Nymph drawing her Bow
on a Swain.
Copper, oval, 121 by 15. Signed.
Sketch of Classical Figures.
Paper, x 10. Dyce bequest.
DRAWINGS
Iris sent to Helen to bring her to behold the fight between Paris and
Menelaus. Design for a semicircular panel above a mirror. From the collec-
tign of Benjamin West. Acquired by the testator in 1908.
In inh. Iris sent to Helena to bring her to behold the fight of Paris and
Menelaus. At back a sketch to show disposition of the finished painting.
Pen and wash. Semi-circular. (5- x 11- ), E. 4013-1919.
Bernard H. Webb bequest.
A Female Figure measuring a globe. From the collection of Benjamin
West. Acquired by the testator in 1906.
T ‘j 7 „ j 7 f Angelica Kauffmann.
In penal i97 and Pen and wash. | Jn m E 4OI4_igig.
Bernard H. Webb bequest.
Grief. Three studies of figures, one of a head and one of a hand. From
the collection of Benjamin West. Acquired by the testator in 1906.
Pen and ink. (6J x 11). E. 4016—1919.
Bernard H. Webb bequest.
In the Dyce Collection, in the same museum, there are four drawings, as
follows :—
Armida and Medoro (Orlando Furioso).
The Shepherdess, seated on a bench, with a crook on her shoulder, taking
her lover’s likeness on the bark of a tree; he is seated, and turns to show his