DOI Seite / Zitierlink:
https://doi.org/10.11588/diglit.66024#0336
200
ANGELICA KAUFFMANN
Mayo, The Countess of,
Stratford Place,
Oxford Street.
Massarene and Ferrard,
The Viscount,
Antrim Castle.
Morley, The Earl of,
Saltram Park,
Nr. Plymouth.
hand partly hidden in the folds of the cloak, but
showing a four-row pearl bracelet with a centre-
piece of miniature of a man in a blue coat and
white stock (probably her husband); fair hair,
grey eyes. Canvas, 29 x 24.
Painted in 1773.
Exhibited. Old Masters, 1873. No. 154 (Earl
of Albemarle).
Purchased from the Earl of Albemarle’s collection
at Quidenham Hall, Norfolk, by Messrs. Thos.
Agnew & Sons, and by them sold to Mr. Pierpont
Morgan.
Note.—The same Countess of Albemarle, with her
only son, William Charles, fourth Earl of Albe-
marle, was painted in 1777, a few years after her
husband’s death, by Romney, and this picture
was exhibited by the Earl of Albemarle at the
Old Masters, with the above portrait, in 1873.
A fan painted by Angelica for Miss Anne Rushout
and bequeathed by her to her great niece, the
late Lady Maria Ponsonby, who was Lady
Mayo’s mother. The subject of the decoration
is Venus advising Helen in her choice.
Portraits of Lord Ferrard and his son.
John, first Lord Boringdon.
Signed A. K. Half-length.
Portrait of herself playing the guitar. Three-
quarter length. 50 x 40 in.
Sir J. Reynolds. Three-quarter length.
Painted in 1768. 49 x 39I.
Exhibited Royal Academy, 1876 (45).
Ulysses discovering Achilles.
Penelope hanging up the arms of Ulysses. Royal
Academy, 1769.
Venus meeting /Eneas. Royal Academy, 1769.
Hector taking leave of Andromache. Royal
Academy, 1769.
(Mrs. Parker, in a letter to her brother, August
24th, 1775, mentions these pictures as having
been painted by Angelica Kauffmann on Mr.
ANGELICA KAUFFMANN
Mayo, The Countess of,
Stratford Place,
Oxford Street.
Massarene and Ferrard,
The Viscount,
Antrim Castle.
Morley, The Earl of,
Saltram Park,
Nr. Plymouth.
hand partly hidden in the folds of the cloak, but
showing a four-row pearl bracelet with a centre-
piece of miniature of a man in a blue coat and
white stock (probably her husband); fair hair,
grey eyes. Canvas, 29 x 24.
Painted in 1773.
Exhibited. Old Masters, 1873. No. 154 (Earl
of Albemarle).
Purchased from the Earl of Albemarle’s collection
at Quidenham Hall, Norfolk, by Messrs. Thos.
Agnew & Sons, and by them sold to Mr. Pierpont
Morgan.
Note.—The same Countess of Albemarle, with her
only son, William Charles, fourth Earl of Albe-
marle, was painted in 1777, a few years after her
husband’s death, by Romney, and this picture
was exhibited by the Earl of Albemarle at the
Old Masters, with the above portrait, in 1873.
A fan painted by Angelica for Miss Anne Rushout
and bequeathed by her to her great niece, the
late Lady Maria Ponsonby, who was Lady
Mayo’s mother. The subject of the decoration
is Venus advising Helen in her choice.
Portraits of Lord Ferrard and his son.
John, first Lord Boringdon.
Signed A. K. Half-length.
Portrait of herself playing the guitar. Three-
quarter length. 50 x 40 in.
Sir J. Reynolds. Three-quarter length.
Painted in 1768. 49 x 39I.
Exhibited Royal Academy, 1876 (45).
Ulysses discovering Achilles.
Penelope hanging up the arms of Ulysses. Royal
Academy, 1769.
Venus meeting /Eneas. Royal Academy, 1769.
Hector taking leave of Andromache. Royal
Academy, 1769.
(Mrs. Parker, in a letter to her brother, August
24th, 1775, mentions these pictures as having
been painted by Angelica Kauffmann on Mr.