PICTURES EXHIBITED AT THE ROYAL ACADEMY AND AT
THE EXHIBITION THAT PRECEDED IT
Kauffmann, Miss Anna Angelica Catherine, R.A. (afterwards Madame
Zucchi), Painter. Elected R.A. in 1768.
Golden Square.
1769. 61. The interview of Hector and Andromache.
62. Achilles discovered by Ulysses amongst the attendants of Deidamia.
63. Venus showing /Eneas and Achates the way to Carthage.
64. Penelope taking down the bow of Ulysses for the trial of her wooers.
1770. 116. Vortigern, King of Britain, enamoured with Rowena, at the
banquet of Hengist, the Saxon general.
117. Hector upbraiding Paris for his retreat from battle.
118. Cleopatra adorning the tomb of Mark Anthony.
119. Samma the Demoniac weeping over the ashes of his youngest
son Benoni, whom he had killed in his frenzy, and St. John with
the other son, lamenting his distress. (“ Not illy—Walpole.)
1771. 113. The interview of King Edgar with Elfrida, after her marriage with
Athelwold.
114. Acontio and Adippe, taken from Ovid, Epist. 19.
115. The return of Telemachus. (Odyssey, Bk. XVII.)
116. Erminia finds Tancred wounded, and assists in his relief. (Tasso,
Canto xix.).
117. The Portrait of a Lady and Child, three-quarters.
118. A Portrait of an Artist, Kitcat. (Zucchi^)
1772. 127. Rinaldo and Armida. (Tasso, canto xvii.)
128. Andromache and Hecuba weeping over the ashes of Hector.
129. A Portrait of a lady in the Italian dress. Whole-length.
130. La Pensierosa. A small whole-length.
131. A Portrait of a Bishop. Half-length. (Dr. Robinson, Primate
of Ireland.}
1773. 163. Telemachus at the Court of Sparta, discovered by his grief on the
mention of his father’s sufferings. (Odyssey, Bk. IV.)
164. Trenmor and Imbaca, the moment of her discovery to Trenmor,
taken from Ossian.
165. Portrait of a lady with her daughter.
166. A Grecian Lady at Work.
236
THE EXHIBITION THAT PRECEDED IT
Kauffmann, Miss Anna Angelica Catherine, R.A. (afterwards Madame
Zucchi), Painter. Elected R.A. in 1768.
Golden Square.
1769. 61. The interview of Hector and Andromache.
62. Achilles discovered by Ulysses amongst the attendants of Deidamia.
63. Venus showing /Eneas and Achates the way to Carthage.
64. Penelope taking down the bow of Ulysses for the trial of her wooers.
1770. 116. Vortigern, King of Britain, enamoured with Rowena, at the
banquet of Hengist, the Saxon general.
117. Hector upbraiding Paris for his retreat from battle.
118. Cleopatra adorning the tomb of Mark Anthony.
119. Samma the Demoniac weeping over the ashes of his youngest
son Benoni, whom he had killed in his frenzy, and St. John with
the other son, lamenting his distress. (“ Not illy—Walpole.)
1771. 113. The interview of King Edgar with Elfrida, after her marriage with
Athelwold.
114. Acontio and Adippe, taken from Ovid, Epist. 19.
115. The return of Telemachus. (Odyssey, Bk. XVII.)
116. Erminia finds Tancred wounded, and assists in his relief. (Tasso,
Canto xix.).
117. The Portrait of a Lady and Child, three-quarters.
118. A Portrait of an Artist, Kitcat. (Zucchi^)
1772. 127. Rinaldo and Armida. (Tasso, canto xvii.)
128. Andromache and Hecuba weeping over the ashes of Hector.
129. A Portrait of a lady in the Italian dress. Whole-length.
130. La Pensierosa. A small whole-length.
131. A Portrait of a Bishop. Half-length. (Dr. Robinson, Primate
of Ireland.}
1773. 163. Telemachus at the Court of Sparta, discovered by his grief on the
mention of his father’s sufferings. (Odyssey, Bk. IV.)
164. Trenmor and Imbaca, the moment of her discovery to Trenmor,
taken from Ossian.
165. Portrait of a lady with her daughter.
166. A Grecian Lady at Work.
236