PICTURES EXHIBITED 237
1773. 167. A Holy Family.
1774. 142. Calypso calling heaven and earth to witness her sincere affection
to Ulysses, though she assents to his departure.
143. Penelope invoking Minerva’s aid for the safe return of Telemachus.
(Odyssey, Bk. IV.)
144. Cupid finding Aglaia asleep, binds her to a laurel.
145. Ariadne abandoned by Theseus.
146. Portrait of a lady. Three-quarters.
147. Paris and Helen directing Cupid to inflame each other’s hearts
with love.
148. Portrait of a Lady. A small whole-length.
1775. 168. Portrait of a Gentleman. Kitcat.
169. Sappho.
170. The despair of Achilles on being informed by Antilochus of the
death of Patrocles. (“ In a good style.”—Walpole.)
171. A Madonna and Child.
172. Rinaldo and Armida. (Tasso, canto xx.)
173. Andromache fainting at the unexpected sight of Eneas on his
arrival in Epirus. (Virgil, Bk. III.)
174. The Return of Telemachus. (Odyssey, Bk. XVII.)
396. A Lady in a Turkish dress; small whole-length.
397. Portrait of an artist. Kitcat.
398. St. John.
399. A Cupid.
1776. 155. The tender Eleanora sucking the venom out of the wound which
Edward I, her royal consort, received with a poisoned dagger
from an assassin in Palestine. (Rapin’s Hist., Vol. HI, p. 129.)
156. Lady Elizabeth Grey imploring of Edward IV the restitution of
her deceased husband’s lands, forfeited in the dispute between
the houses of York and Lancester. (Rapin’s Hist., Vol. V, p. 26.)
1776. 157. Patience. “ Her meek hands folded on her modest breast. In
mute submission lifts th’ adoring eye, Ev’n to the storm that
wrecks her.” (Mason’s Caractacus, p. 15.)
158. Armida in vain endeavours with her entreaties to prevent Rinaldo’s
departure. (Tasso, Vol. II, canto xvi.)
159. Portrait of a gentleman. Whole-length.
1777. J92- Sylvia lamenting over the favourite stag wounded by Ascanius.
(Virgil’s Mneid, Bk. VII.)
193. Dido. (Virgil’s lEneid, Bk. IV.)
194. Maria near Moulines. (See Yorick’s Sentimental Journey.)
195. Love punished.
196. A Group of Children.
1778. 174. Leonardo da Vinci expiring in the arms of Francis I, King of
France.
1773. 167. A Holy Family.
1774. 142. Calypso calling heaven and earth to witness her sincere affection
to Ulysses, though she assents to his departure.
143. Penelope invoking Minerva’s aid for the safe return of Telemachus.
(Odyssey, Bk. IV.)
144. Cupid finding Aglaia asleep, binds her to a laurel.
145. Ariadne abandoned by Theseus.
146. Portrait of a lady. Three-quarters.
147. Paris and Helen directing Cupid to inflame each other’s hearts
with love.
148. Portrait of a Lady. A small whole-length.
1775. 168. Portrait of a Gentleman. Kitcat.
169. Sappho.
170. The despair of Achilles on being informed by Antilochus of the
death of Patrocles. (“ In a good style.”—Walpole.)
171. A Madonna and Child.
172. Rinaldo and Armida. (Tasso, canto xx.)
173. Andromache fainting at the unexpected sight of Eneas on his
arrival in Epirus. (Virgil, Bk. III.)
174. The Return of Telemachus. (Odyssey, Bk. XVII.)
396. A Lady in a Turkish dress; small whole-length.
397. Portrait of an artist. Kitcat.
398. St. John.
399. A Cupid.
1776. 155. The tender Eleanora sucking the venom out of the wound which
Edward I, her royal consort, received with a poisoned dagger
from an assassin in Palestine. (Rapin’s Hist., Vol. HI, p. 129.)
156. Lady Elizabeth Grey imploring of Edward IV the restitution of
her deceased husband’s lands, forfeited in the dispute between
the houses of York and Lancester. (Rapin’s Hist., Vol. V, p. 26.)
1776. 157. Patience. “ Her meek hands folded on her modest breast. In
mute submission lifts th’ adoring eye, Ev’n to the storm that
wrecks her.” (Mason’s Caractacus, p. 15.)
158. Armida in vain endeavours with her entreaties to prevent Rinaldo’s
departure. (Tasso, Vol. II, canto xvi.)
159. Portrait of a gentleman. Whole-length.
1777. J92- Sylvia lamenting over the favourite stag wounded by Ascanius.
(Virgil’s Mneid, Bk. VII.)
193. Dido. (Virgil’s lEneid, Bk. IV.)
194. Maria near Moulines. (See Yorick’s Sentimental Journey.)
195. Love punished.
196. A Group of Children.
1778. 174. Leonardo da Vinci expiring in the arms of Francis I, King of
France.