DOI Page / Citation link:
https://doi.org/10.11588/diglit.73713#0046
42
THE WORKS OF
to whom, perhaps, in lively expression one
may Tay some of the moderns are supe-
rior.
17. It appears that we do great injustice to Leo-
nardo, Michael Angelo, Raphael, Andrew
del Sarto, Titian, Correggio, Paolo, and to
many others, when we would wissi to
ascribe the revival of painting to the Car-
racci's, and perhaps only to favour the
Niobe; nevertheless the profile os the
slioulders of the woman of the transfigura-
tion, the other near to the lunatic, and
many others of Raphael, resemble much
more the Niobes then the heads of the same
Guido.
THE WORKS OF
to whom, perhaps, in lively expression one
may Tay some of the moderns are supe-
rior.
17. It appears that we do great injustice to Leo-
nardo, Michael Angelo, Raphael, Andrew
del Sarto, Titian, Correggio, Paolo, and to
many others, when we would wissi to
ascribe the revival of painting to the Car-
racci's, and perhaps only to favour the
Niobe; nevertheless the profile os the
slioulders of the woman of the transfigura-
tion, the other near to the lunatic, and
many others of Raphael, resemble much
more the Niobes then the heads of the same
Guido.