Mitchell, Lucy M.: A history of ancient sculpture (New York, 1883)

724

NOTES AND REFERENCES.

by the possibility of thus studying Attic tomb-
stones alongside of these Boeotian monuments.

P. 524. I05sb) Prof. Newton made most astonishing
discoveries at Halicarnassos, of figurines packed
away in the subterranean part of a temple. C.
T. Newton, Hist, of Disc, at Halicarnassos, etc.,
ii. part i. pp. 325-332; and Ibid. i. pi. xlvi.

P. 525. 105<l) Asia Minor discoveries, vid. Bnl!. dc
Corr. Hell. vi. pp. 197, 38S, Note 9S9. Kekule,
Griechische ThoHfignreii aits Tauagra, Stutt-
gart, 1878, with 17 plates. Wachsmuth, Das
Altc Griechculaudim Neuen, S. 119.

P. 526. I0") Con/. Furtwangler, Die Sammlung Sa-
bouroff, 1882, etc. A colored marble statuette
was found in Cyprus, and published in the
Archaeologische Zeitung.

P. 527. IC58) The discovery at Myrina of a terra-cotta
of the so-called Venus Genetrix (see Note 614),
and also of one of the famous Venus Accrotipie,
seem to show that the influence of statuary
was great upon this humbler art, since one, at
least, of these figurines may be traced with cer-
tainty back to a type developed in the fifth cen-
tury 13. C. How much these humble figures,
which became known to the Romans when
Caesar restored Corinth, influenced in turn the
sculptors of that late day, we do not yet know,
since a systematic study of all the figurines has
not yet been made, although richest material
for it is already at hand.

P. 52S. Io;9) P. O. Bronsted, The Bronzes of Siris,
pub. by the Dilettanti Soc. 1S36.

P. 530. ,06°) Mitt. d. Athen. Inst. iii. S. 101; and
Homolle, Bull, dc Corr. Hell, on Delos.
I061) J. Overbeck, Griechische Kunstmythologie, i.
Bd. S. SS; and Letronne, Ann. d. Inst. 1829, p.

34'-

P. 531. I06=) C. T. Newton, Travels and Discoveries
in the Levant, vol. ii. pp. 171-177, describes
the finding of this Demeter.

P. 532. Io63) Brunn, Trans, of Roy. Soc. of Literature,
series ii. vol. ii. p. 171.

P. 533. '**) Newton, op. c. pi. 23.

P. 534. Io6s) Plin., IV. H. xxxvi. 95. " Columns: . . .
caelata: una a Scopa," is the old reading.

P- 535- I066) J- Wood, Discoveries at Ephesos, Lon-
don, 1877, p. 147; Restoration of Temple, opp.
p. 264. Arch. Zeit. 1872, S. 72.
to67) Robert, "Thanatos," jp Program z. Winckcl-
mannsfeste d. Arch. Ges. in Berlin, 1879, S. 36.

P. 536. Io68) It is most characteristic of the develop-
ment of the beautifully humane by the Greeks,
that the ideal of Thanatos, or Death, who in
the early poets was a fearful and rapacious
being, in time came to be a kind and gentle
one, careful of those intrusted to his charge,
as may be seen on vases of the age of Praxit-
eles and of his fellows, where Death most ten-

derly handles the dead, and is aided by his
younger brother, the beardless, winged Hyp-
nos, or Sleep. Robert, op. c. pi. i. p. 36.
P-537-Io69) C. T. Newton, in the Portfolio, July,
1874.
1070) Fergusson, Trans, of Royal Institute of Brit-
ish Architects, 1S77, p. 65.
P. 542. io71) For a vivid picture of the early part of
this age, vid. Joh. Gust. Droysen, Geschichte des
Helleuistuus, ii. ed. Gotha, 1878, 6 vols.
P. 543. IO") Droysen, op. c. Bd. iii. Anhang.

IO") Vid. Wolfgang Ilelbig, Untersuchungen iiber
die Campanischen Wandmqlerei, Leipzig, 1878.
P. 544. io73") Stephani, Compte-rendu de la Commis-
sion Arch. Impcriale dc St. Petersburg, 1869, p. 6,
planches i.-iii.
io74) Diodoros Siculus, xvii. 114. Plutarch, Alex.
Magn. 72.
P. 545. I075) Plin., N. II. xxxiv. 52.

I076) Kohler, Mitt. d. Athen. Inst. vii. S. 159.
P. 546. '°77) Hirschfeld, Arch. Zeit. 1882, S. 125.
IC78) Plin., N. II. xxxvi. 24.

1079) Plin., N. II. xxxiv. 51. Tatian, C. Grac. 52,
p. 114 (ed. Worth).

1080) rOSSj Arch. Aufsdtze, S. 173. Brunn, Gcsch.
d. Gricch. Kiinst. i. S. 391.

1081) Bull. d. Inst. 1862, p. 163.

P. 547. io82) Plutarch (pseudo), Vita Decern Oral.
(Lycurg.), 38. Arch. Zeit. 1850, S. 175. Paus.,
i. 8. 4; ix. 12. 4.

1083) Tatian, 6'. Gr. 52, p. 114 (ed. Worth). Plin.,
N. H. xxxiv. 87.

1084) Plin., N. H. xxxvi. 24.

io85) Plin., 1. c.; and Welcker, Alte Dcnkmdler, i. S.
317. Replicas of the satyr and nymph are
mentioned by Th. Schreiber, Die Antikeu Bild-
werkeder Villa Ludovisi, No. 54; and illustrated
by Clarac in his Musee du Sculpture, Nos. 667
and 1545 A.

1086) piutarch, Demosthenes, 30. Michaelis, An-
cient Marbles in Great Britain, p. 417. Vatican
statue, vid. Visconti, Iconographie Grecijue, pi.
29, 1. 2.
P. 548. Io87) O. Jahn, Hermes, iii. S. 317-334.
P. 549. I088) The newly discovered arm is probably
of a second and exactly corresponding statue :
vid. Michaelis, op. c. p. 243.

Io8') Gerhard, Antikc Bildwerke, pi. 94. 2; and
Clarac, op. c. No. 442, 807.

■090) Ancient Marbles of the Brit. Mus. ix. pi. i.
Stuart and Rcvett, Antiquities of Athens, vol. ii.
chap. iv. pi. 3. Kugler, llandbuch dcr A'uust-
geschichte, S. 185.
P. 551. I09') Conf. Note 1209; and Petersen, "Die
drei gestaltige Ilckate," Arch. Epig. Mitt, aus
Oest. 1880, Bd. v. S. 8, about girdle.

■°92) Adler, "Die Stoa des Attalos II." (in Athens),
Zeitschrift fur Bauwcscn, 1S75, S. 17, and 1S82.