Modus: Prace z historii sztuki (19.2019)

were given by: Michael Turner (Israel), Reconstructing the Ruin-, Piotr Krasny
(Poland), Ruins of Sacred Buildings: Ideological Message and Problems of Its
Preservation; Ingrid Turisova, Peter Andraś, Pavol Midula, Jan Spiśiak (Slova-
kia), The Integrated Natural Sciences Approaches to the Protection of Medieval
Ruins-, Jacek Dąbrowski, M. Walczak (Poland), Perception of Industrial Herit-
age. Just Ruined Buildings or Already Ruins?; Bogusław Szmygin and Polish
Team of ruins project (Poland), Historie Ruins Protection - Methodological
Issues; Silvia Soldano, Patrizia Borlizzi, Antonino Frenda (Italy), Sustainable
Re-use, Preservation and Modern Management ofHistorical Ruins. ruins’ Tools
& Guideline; Anna Vanova (Slovakia), Management of Ruins via Place Market-
ing Approach; Dario Bertocchi, Camilla Ferri, Raffaella Lioce (Italy), Assess-
ing Perception of Cultural Heritage Value and Use Expectations for Historical
Ruins Management; Waldemar J. Affelt (Poland), Postindustrial Ruins in Japan:
Significance, Aesthetics and Reuse; Adam Arnóth (Hungary), What to Do with
a Ruin? Architectural Solutions - Older and Recent Cases in Hungary; Sergio
Caló (Italy), Site Management, Governance and Risk Management; Martin
Mińo (Slovakia), The Issues Concerning Technology, Tourism, and Funding by
Conservation of Ruins and Their Protection as Illustrated with Examplesfrom
Slovakia; Eugenio Tamburrino (Italy), Participative Policies and Practices in
Historical Ruins Management: Insights from Italy; Andrzej Siwek (Poland),
Historical Ruins - Between Conservation Doctrine and Social Acceptance; Nika
Cohen (Croatia), Example of Good Practice of Re-use and Management of
Historical Ruin; Antonino Frenda (Italy), ruins: living heritage Conserra-
tion, Restoration, Enhancement; Tajana Pleśe (Croatia), In Search of Optimal
Management Modus Operandi for Curated Ruins; Dagmara Majerova, Jana
Jadudova (Slovakia), Connectivity of Local Community to Cultural Heritage
(the Case of the Slovak Village Bzovik); Bartosz Szostak and Polish Team
of ruins project (Poland), Historical Ruin Technical Sheet - A Structured Set
of Technical Information; Jan Valek, PhD, Olga Skruźna, Petr Kozlovcev, Josef
Jirouśek (Czech Republic), Mortarfor Conservation of Ruins - Materiał and
Technological Copy of the Original; Iveta Markova (Slovakia), Fire Risk As-
sessment of Bzovik Castle; Jakub Novotny, Dita Machova (Czech Republic),
Information Panels and Scenie Illumination as Important Elements of Ruin
Presentation; Ivan Murin, Ivan Soućek (Slovakia), The Generation Transmission
and Sustainability of Heritage Values in Local Communities. An Example of
Ruins Value Research in Bzovik; Rok Poles (Slovenia), The Salek Castle Ruins
(Velenje, Slovenia) - Identifying the Possibilities to Develop on Different Scales
(Detail, Architecture, Landscape); Zuzana Klasova (Slovakia), Introduction
to Restoration Problems of Bzovik Monastery; Nika Cohen (Croatia), Church
ofSt. Stosija in Puntamika, Zadar - Example ofEarly Medieval Re-use of Roman
Cistern; Jiri Błaha, Jaroslav Buzek (Czech Republic), A Torso ofthe Stone Base
of a Pole for Popinjay Shooting in Chribska, its Survey and Documentation.
• On December 8, Andrzej Szczerski's book Transformation. Art in Central and
Eastern Europę after 1989 was published.
• On December 14, Justyna Słowik, ma received Professor Marian Sokołowski
Award for the best ma thesis in art history, in the 2017/2018 academic year,
for her thesis Analysis of the Apostolos Oct. gr. 13 in the Collection of the Ja-
giellonian Library in Kraków, written under the supervision of Piotr Łukasz

CHRONICIE ofthe Jagiellonien University Institute of Art History fortheyear 2018

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