DOI Seite / Zitierlink:
https://doi.org/10.11588/diglit.68305#0016
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I
Fig. 3. Elevation of the Church St. Lucca e
Martina at Rome, by Pietro Berret-
tino da Cortona.
“ 4. Elevation of the Church della Superga
near Turin, by Filippo Ivara.
“ 5. View of the Church of St. Charles
Borrommo. at Vienna, by Fischer of
Erlach.
“ 6. Elevation of the “ new” Church at
Berlin, by Gontard.
Plate 91, A.
French, English, Dutch, and Ger-
man Architecture.
Fig. 1. Principal part of the fagade of the
Palace at Versailles, by Jules Man-
sard.
“ 2 & 3. Section and ground-plan of the Cu-
pola of the Church of the Invalides
at Paris, by Jules Mansard. *
“ 4. Longitudinal section of St. Paul’s at
London, by Christopher Wren.
“ 5. Elevation of the principal facade of the
Council Hall at Amsterdam, by Ja-
cob von Campen.
“ 6. Fagade of the Town Hall in Nurem-
berg by Eustachius Holzschuher.
“ 7. Portal in the interior Court of the Pal-
ace at Berlin, by Andreas Schlüter.
“ 8. Elevation of the Arsenal at Berlin, by
J. Arnold Nering.
Plate 91 Italian, Dutch, and French Sculp-
ture.
Fig. 1.
“ 2.
“ 3.
“ 4.
“ 5.
“ 6.
“ 7.
“ 8.
Apollo and Daphne, by Lorenzo Ber-
nini.
The Rape of Proserpine, by Lorenzo
Bernini.
The Ecstasy of St. Theresa, by Lo-
renzo Bernini.
St. Cecilia, by Stefano Maderno.
Pope Leo and Attila, by Alessandro
Algardi.
St. Susanna, by Francois du Quesnoy,
called Fiamingo.
Faith throwing down Heresy, by Le
Gros.
St. Bruno, by Houdon.
Plate 93. Dutch, German, and French Sculp-
ture.
Fig. 1. Pediment of the Town Hall at Am-
sterdam, by Arthur Quellinus.
“ 2&3. Basrelief and Caryatide, by Arthur
Quillinus.
“ 4. Equestrian Statue of the Grand Duke
Frederick William the Great at Ber-
lin, by Andreas Schlüter.
“ 5 & 6. Basrelief on the Royal Castle at Ber-
lin, by Andreas Schlüter.
“ 7&8. Masks of Dying Warriors in the Ar-
senal at Berlin, by Andreas Schlü-
ter.
Plate 94. Italian Art.
Fig. 1. The Triumph of Galatea, by Annibale
Caracci.
“ 2. The Communion of St. Jerome, by
Domenichino.
“ 3. Aurora, by Guido Reni.
“ 4. The Judgment of Paris, by Francesco
Albani.
Fig. 5.
“ 6.
“ 7.
“ 8.
Angels mourning over the dead body
of Christ, by Guercino.
Female Bust, by Caravaggio.
The Martyrdom of St. Bartholomew,
by Spagnoletto.
The Conspiracy of Catiline, by Salva-
tor Rosa.
Plate 95. Paintings hy Rubens and Van Dyke.
Works of Peter Paul Rubens.
Fig. 1. Portrait of Rubens, after Van Dyke.
“ 2. Holy Family.
“ 3. Queen Maria de Medicis departing for
the War.
“ 4. The Horrors of War, an Allegory.
“ 5. Christ taken down from the Cross.
Works of Antonio Van Dyke.
“ 6. Portrait of Van Dyke.
“ 7. The Children of King Charles I. of
England.
“ 8. The Dead Christ mourned over by his
friends.
Plate 96. Paintings by Rembrandt van Ryn and
of the Dutch School.
Fig. 1. Portrait of Rembrandt and his Wife,
by himself.
“ 2. The Night Guard, by Rembrandt.
“ 3. The Anatomist Tulp, by Rembrandt.
“ 4. The Duke of Geldern, by Rembrandt.
“ 5. The Prodigal Son, by Rembrandt.
“ 6. The Disciples at Emmaus, by Rem-
brandt.
“ 7. Faust, by Rembrandt.
“ 8. Strolling Musicians by Rembrandt.
“ 9. Resurrection of Jairus’ Daughter, by
Gerbrandt van den Eckhout.
“ 10. Expulsion of Hagar, by Hovart
Flinck.
“ 11. The Hermit, by Gerard Dow.
“ 12. A Beggar, by Joris van Vliet.
Plate 97. Spanish Art.
Fig. 1. Ecce Homo, by Louis Morales, called
el Divino.
“ 2. St. Peter of Alcantara, by Francisco
Zurbaran.
“ 3. King Philip IV. of Spain, by Diego
Velasquez.
“ 4. Portrait of the Prince Don Baltasar
Carlos, by Diego Velasquez.
“ 5. Portrait of Bartolome Estaban Mu-
rillo, by himself.
“ 6. Spanish Girl, by Murillo.
“ 7. The Virgin, by Murillo.
“ 8. St. Anthony and the Infant Christ, by
Murillo.
“ 9. Virgin and Child, by Murillo.
“ 10. Virgin and Child, by Alonzo Cano.
“ 11. The Evangelists Matthew and John,
by Francisco Ribalta.
Plate 98. French and English Art.
Fig. 1. Virgin and Child, by Simon Vouet.
“ 2. The finding of Moses, by Nicolas
Poussin.
“ 3. Mater Dolorosa, by Philippe Cham-
paigne.
“ 4. The Virgin appears to St. Martin, by
Eustache le Sueur.
DEX TO THE VOLUME.
Fig. 5.
“ 6.
“ 7.
“ 8.
“ 9.
Fig. 1.
“ 2.
“ 3.
“ 4.
“ 5.
“ 6.
“ 7.
“ 8.
“ 9.
“ 10.
The War of Louis XIV. against
Spain, by Charles Lebrun.
Group of Children, by Frangois
Boucher.
The Holy Family, by Sir Joshua
Reynolds.
The Genius of the Times Smoking, a
picture, by Hogarth.
Death of General Wolfe, by Benja-
min West.
Plate 99. German Art.
The Month of October, Allegory by
Joachim Sandrart.
The Evangelist Matthew with the
Angel, by Johann Jacob von San-
drart.
Mary, the infant Christ and St. Jo-
seph, by Michael Willmann.
St Joseph and infant Saviour, by
Paul Troger.
The Resurrection of Christ, by Joh.
Heinr. Tischbein, the elder.
The Flight into Egypt, by Wilhelm
Ernst Dietrich.
The Descent from the Cross, by
Bernh. Rode.
Portrait of the Sculptor Grinlin Gib-
sons, by Gottfr. Kneller.
Picture of a Philosopher, by Johan-
nes Kupezky.
Picture of a Female, by Angelica
Kauffmann.
Plate 100. Genre Painting.
Fig.
1.
A Tooth-breaker, by Adrian van Os-
tade.
LL
2.
A Merry Party, by J an van Steen.
LL
3.
David Teniers and his Family, by him-
self.
LL
4.
A Lute Player, by Gerhard Terburg.
LL
5.
The Paternal Admonition, by Ger-
hard Terburg.
LL
6.
Gerard Dow in his Studio, painted by
himself.
LL
7.
The Lace Maker, by Gabriel Metzu.
LL
8.
The Vender of Silks, by Franz Mieris.
LL
9.
Portrait of Gaspar Netscher, by him-
self.
LL
10.
A Young Needle-woman, by Gasper
Netscher.
LL
11.
A Law Proceeding, by Christopher
Panditz.
Plate 101,
Fig. 1.
“ 2.
“ 3.
“ 4.
“ 5.
“ 6.
“ 7.
“ 8.
“ 9.
“ 10.
Animal and landscape Painting.
Combat between Bears and Dogs, by
Franz, Snyders.
The Hay Wagon, by Paul Wonver-
mann.
Pastoral Landscape, by Nicolaus
Berghem.
Landscape, by Nicolaus Poussin.
Landscape, by Claude Gelee, called
Claude Lorrain.
Forest Landscape, by Hermann
Swanevelt.
The Small Bridge, by Jacob Ruys-
dael.
The Tavern in the Forest, by Antonio
Waterloo.
Animal piece, by Paul Potter.
Ram and Sheep at the foot of a Pil-
lar, by Heinrich Roos.
Plate 101 Modern Architecture.
Fig. 1. Fagade of Covent Garden Theatre
at London, by Robert Smirke.
“ 2. The Church St. Madeleine at .Paris,
by Vinchon.
“ 3. View of the Arc de 1’Etoile at Paris.
“ 4. The new Play House at Berlin, by
Schinckel.
“ 5. Interior of the Rotunda in the Muse-
um at Berlin, by Schinckel.
“ 6. Exterior of the Au-Church at Munich,
by Ohlmüller.
“ 7. View of the Britannia Tubular Bridge,
by Stephenson and Fairbairn.
“ 8. The Bridging of the Elster-valley.
Plate 103. Modern Sculpture.
Fig. 1.
“ 2.
“ 3.
“ 4.
“ 5.
“ 6.
“ 7.
“ 8.
“ 9.
“ 10.
“ 11.
Statue of Pope Clement XIV. by
Antonio Canova.
Figure from the Tomb of Vittorio
Altieri, by Canova.
Venus and Adonis, by Canova.
Statue of Washington, by Canova.
Statue of Cincinnatus, by Chaudet.
Thy Kingdom Come, by John Flax-
mann.
Ariadne, by Dannecker.
Monument of the Count von der
Mark, by Gottfried Schadou.
Statue of Frederick the Great, by
Gottfried Schadou.
Christ, by Thorwaldsen.
Fragment from the Alexander March,
by Thorwaldsen.
Plate 104. Modern French and Italian Art.
Fig. 1. The Oath of the Horatii, by David.
“ 2. Napoleon Crossing the St. Bernard,
by David.
“ 3. Belisarius, by Gerard.
“ 4. The Return of the Nausikaa, by John
Flaxman.
“ 5. Dante led to the Spring Eunoe, by
John Flaxman.
“ 6. The Adoration of the Magi, by Vin-
cenzo Camuccini.
“ 7. Joseph’s Dream, by Vincenzo Cam-
uccini.
“ 8. Christ before Pilate, by Vincenzo
Camuccini.
Plate 105. Modern German Art.
Fig. 1. Apollo among the Herdsmen, by G.
Schick.
“ 2. Apollo among the Muses, by Raphael
Mengs.
“ 3. Achilles refuses to receive the Am-
bassadors of Nestus, by Asmus
Carstens.
“ 4. Job, by Eberhardt von Wächter.
Plate 106. Modern German Art.
Fig. 1. The Recognition of Joseph, by Peter
v. Cornelius.
“ 2. Dante and Virgil in Hell, by Joseph
Koch.
“ 3. Sofronia and Olindo, by Friedrich
Overbeck.
“ 4. Abraham perceiving the Blessed
Land, by Julius Schnorr.
FIFTH PART.
Art of the Present Time.
Plate 107. German Architecture.
Berlin School.
Fig. 1—3. The Nicolai Church at Potsdam, by
Schinckel. Fagade, diagonal profile,
and ground-plan.
“ 4 & 5. The Marcus Church at Berlin, by A.
Stüler. Longitudinal section and
ground-plan.
“ 6—8. The New Catholic St. Michel’s Church
at Berlin, by A. Sollar. Elevation,
diagonal profile, and ground-plan.
“ 9 & 10. The Peter’s Church at Berlin, by
H. Strack. Diagonal profile, and
ground-plan.
Plate 108. German Architecture.
Berlin School.
Fig. 1—3. Architectural Academy at Berlin, by
Schinckel. Fagade and detail.
“ 4—9. The New Museum at Berlin, by A.
Stüler. Details.
“ 10 & 11. Villa Schoeningen near Potsdam, by
Persius. View and detail.
“ 12—14. Details of buildings near Potsdam, by
Persius.
“ 15—17. View and ground-plans of Dwelling-
houses in Berlin, by Hitzig.
“ 18—50. Palace of the Russian Embassy at
Berlin, by Knoblauch.
Plate 109. German Architecture.
Munich School.
Fig-
LL
LI
LL
LL
1 & 2. The Stair House of the Royal Library
at Munich, by Fr. v. Gaertner.
3. Interior of the Au-Church in Munich,
by Olilmuiller.
4. View of the Hall of Fame at Munich,
by L. v. Klenze.
5. The Rottmannhall of the new Pyna-
kothek, by Voit.
6. View of the Railroad Building at
Munich, by Bürklein.
Plate 110. German Architecture.
South-west and Central German Schools.
Fig. 1 & 2. The Railroad Building at Freiburg, by
Eisenlohr. Fagade of the Chief
Building and Perspective View of
the Hall.
“ 3—5. The Church at Bulach, by Hübsch.
Choir view, interior, and ground-
plan.
“ 6 & 7. The Drinking-hall at Baden, by
Hübsch. Ground-plan and detail.
“ 8. View of the Theatre at Caflsruhe, by
Hübsch.
“ 9. The Theatre at Mayence, by G. Mol-
ler. Fagade.
“ 10 & 11. The Theatre at Dresden, by G. Semper.
View and detail.
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6
I
Fig. 3. Elevation of the Church St. Lucca e
Martina at Rome, by Pietro Berret-
tino da Cortona.
“ 4. Elevation of the Church della Superga
near Turin, by Filippo Ivara.
“ 5. View of the Church of St. Charles
Borrommo. at Vienna, by Fischer of
Erlach.
“ 6. Elevation of the “ new” Church at
Berlin, by Gontard.
Plate 91, A.
French, English, Dutch, and Ger-
man Architecture.
Fig. 1. Principal part of the fagade of the
Palace at Versailles, by Jules Man-
sard.
“ 2 & 3. Section and ground-plan of the Cu-
pola of the Church of the Invalides
at Paris, by Jules Mansard. *
“ 4. Longitudinal section of St. Paul’s at
London, by Christopher Wren.
“ 5. Elevation of the principal facade of the
Council Hall at Amsterdam, by Ja-
cob von Campen.
“ 6. Fagade of the Town Hall in Nurem-
berg by Eustachius Holzschuher.
“ 7. Portal in the interior Court of the Pal-
ace at Berlin, by Andreas Schlüter.
“ 8. Elevation of the Arsenal at Berlin, by
J. Arnold Nering.
Plate 91 Italian, Dutch, and French Sculp-
ture.
Fig. 1.
“ 2.
“ 3.
“ 4.
“ 5.
“ 6.
“ 7.
“ 8.
Apollo and Daphne, by Lorenzo Ber-
nini.
The Rape of Proserpine, by Lorenzo
Bernini.
The Ecstasy of St. Theresa, by Lo-
renzo Bernini.
St. Cecilia, by Stefano Maderno.
Pope Leo and Attila, by Alessandro
Algardi.
St. Susanna, by Francois du Quesnoy,
called Fiamingo.
Faith throwing down Heresy, by Le
Gros.
St. Bruno, by Houdon.
Plate 93. Dutch, German, and French Sculp-
ture.
Fig. 1. Pediment of the Town Hall at Am-
sterdam, by Arthur Quellinus.
“ 2&3. Basrelief and Caryatide, by Arthur
Quillinus.
“ 4. Equestrian Statue of the Grand Duke
Frederick William the Great at Ber-
lin, by Andreas Schlüter.
“ 5 & 6. Basrelief on the Royal Castle at Ber-
lin, by Andreas Schlüter.
“ 7&8. Masks of Dying Warriors in the Ar-
senal at Berlin, by Andreas Schlü-
ter.
Plate 94. Italian Art.
Fig. 1. The Triumph of Galatea, by Annibale
Caracci.
“ 2. The Communion of St. Jerome, by
Domenichino.
“ 3. Aurora, by Guido Reni.
“ 4. The Judgment of Paris, by Francesco
Albani.
Fig. 5.
“ 6.
“ 7.
“ 8.
Angels mourning over the dead body
of Christ, by Guercino.
Female Bust, by Caravaggio.
The Martyrdom of St. Bartholomew,
by Spagnoletto.
The Conspiracy of Catiline, by Salva-
tor Rosa.
Plate 95. Paintings hy Rubens and Van Dyke.
Works of Peter Paul Rubens.
Fig. 1. Portrait of Rubens, after Van Dyke.
“ 2. Holy Family.
“ 3. Queen Maria de Medicis departing for
the War.
“ 4. The Horrors of War, an Allegory.
“ 5. Christ taken down from the Cross.
Works of Antonio Van Dyke.
“ 6. Portrait of Van Dyke.
“ 7. The Children of King Charles I. of
England.
“ 8. The Dead Christ mourned over by his
friends.
Plate 96. Paintings by Rembrandt van Ryn and
of the Dutch School.
Fig. 1. Portrait of Rembrandt and his Wife,
by himself.
“ 2. The Night Guard, by Rembrandt.
“ 3. The Anatomist Tulp, by Rembrandt.
“ 4. The Duke of Geldern, by Rembrandt.
“ 5. The Prodigal Son, by Rembrandt.
“ 6. The Disciples at Emmaus, by Rem-
brandt.
“ 7. Faust, by Rembrandt.
“ 8. Strolling Musicians by Rembrandt.
“ 9. Resurrection of Jairus’ Daughter, by
Gerbrandt van den Eckhout.
“ 10. Expulsion of Hagar, by Hovart
Flinck.
“ 11. The Hermit, by Gerard Dow.
“ 12. A Beggar, by Joris van Vliet.
Plate 97. Spanish Art.
Fig. 1. Ecce Homo, by Louis Morales, called
el Divino.
“ 2. St. Peter of Alcantara, by Francisco
Zurbaran.
“ 3. King Philip IV. of Spain, by Diego
Velasquez.
“ 4. Portrait of the Prince Don Baltasar
Carlos, by Diego Velasquez.
“ 5. Portrait of Bartolome Estaban Mu-
rillo, by himself.
“ 6. Spanish Girl, by Murillo.
“ 7. The Virgin, by Murillo.
“ 8. St. Anthony and the Infant Christ, by
Murillo.
“ 9. Virgin and Child, by Murillo.
“ 10. Virgin and Child, by Alonzo Cano.
“ 11. The Evangelists Matthew and John,
by Francisco Ribalta.
Plate 98. French and English Art.
Fig. 1. Virgin and Child, by Simon Vouet.
“ 2. The finding of Moses, by Nicolas
Poussin.
“ 3. Mater Dolorosa, by Philippe Cham-
paigne.
“ 4. The Virgin appears to St. Martin, by
Eustache le Sueur.
DEX TO THE VOLUME.
Fig. 5.
“ 6.
“ 7.
“ 8.
“ 9.
Fig. 1.
“ 2.
“ 3.
“ 4.
“ 5.
“ 6.
“ 7.
“ 8.
“ 9.
“ 10.
The War of Louis XIV. against
Spain, by Charles Lebrun.
Group of Children, by Frangois
Boucher.
The Holy Family, by Sir Joshua
Reynolds.
The Genius of the Times Smoking, a
picture, by Hogarth.
Death of General Wolfe, by Benja-
min West.
Plate 99. German Art.
The Month of October, Allegory by
Joachim Sandrart.
The Evangelist Matthew with the
Angel, by Johann Jacob von San-
drart.
Mary, the infant Christ and St. Jo-
seph, by Michael Willmann.
St Joseph and infant Saviour, by
Paul Troger.
The Resurrection of Christ, by Joh.
Heinr. Tischbein, the elder.
The Flight into Egypt, by Wilhelm
Ernst Dietrich.
The Descent from the Cross, by
Bernh. Rode.
Portrait of the Sculptor Grinlin Gib-
sons, by Gottfr. Kneller.
Picture of a Philosopher, by Johan-
nes Kupezky.
Picture of a Female, by Angelica
Kauffmann.
Plate 100. Genre Painting.
Fig.
1.
A Tooth-breaker, by Adrian van Os-
tade.
LL
2.
A Merry Party, by J an van Steen.
LL
3.
David Teniers and his Family, by him-
self.
LL
4.
A Lute Player, by Gerhard Terburg.
LL
5.
The Paternal Admonition, by Ger-
hard Terburg.
LL
6.
Gerard Dow in his Studio, painted by
himself.
LL
7.
The Lace Maker, by Gabriel Metzu.
LL
8.
The Vender of Silks, by Franz Mieris.
LL
9.
Portrait of Gaspar Netscher, by him-
self.
LL
10.
A Young Needle-woman, by Gasper
Netscher.
LL
11.
A Law Proceeding, by Christopher
Panditz.
Plate 101,
Fig. 1.
“ 2.
“ 3.
“ 4.
“ 5.
“ 6.
“ 7.
“ 8.
“ 9.
“ 10.
Animal and landscape Painting.
Combat between Bears and Dogs, by
Franz, Snyders.
The Hay Wagon, by Paul Wonver-
mann.
Pastoral Landscape, by Nicolaus
Berghem.
Landscape, by Nicolaus Poussin.
Landscape, by Claude Gelee, called
Claude Lorrain.
Forest Landscape, by Hermann
Swanevelt.
The Small Bridge, by Jacob Ruys-
dael.
The Tavern in the Forest, by Antonio
Waterloo.
Animal piece, by Paul Potter.
Ram and Sheep at the foot of a Pil-
lar, by Heinrich Roos.
Plate 101 Modern Architecture.
Fig. 1. Fagade of Covent Garden Theatre
at London, by Robert Smirke.
“ 2. The Church St. Madeleine at .Paris,
by Vinchon.
“ 3. View of the Arc de 1’Etoile at Paris.
“ 4. The new Play House at Berlin, by
Schinckel.
“ 5. Interior of the Rotunda in the Muse-
um at Berlin, by Schinckel.
“ 6. Exterior of the Au-Church at Munich,
by Ohlmüller.
“ 7. View of the Britannia Tubular Bridge,
by Stephenson and Fairbairn.
“ 8. The Bridging of the Elster-valley.
Plate 103. Modern Sculpture.
Fig. 1.
“ 2.
“ 3.
“ 4.
“ 5.
“ 6.
“ 7.
“ 8.
“ 9.
“ 10.
“ 11.
Statue of Pope Clement XIV. by
Antonio Canova.
Figure from the Tomb of Vittorio
Altieri, by Canova.
Venus and Adonis, by Canova.
Statue of Washington, by Canova.
Statue of Cincinnatus, by Chaudet.
Thy Kingdom Come, by John Flax-
mann.
Ariadne, by Dannecker.
Monument of the Count von der
Mark, by Gottfried Schadou.
Statue of Frederick the Great, by
Gottfried Schadou.
Christ, by Thorwaldsen.
Fragment from the Alexander March,
by Thorwaldsen.
Plate 104. Modern French and Italian Art.
Fig. 1. The Oath of the Horatii, by David.
“ 2. Napoleon Crossing the St. Bernard,
by David.
“ 3. Belisarius, by Gerard.
“ 4. The Return of the Nausikaa, by John
Flaxman.
“ 5. Dante led to the Spring Eunoe, by
John Flaxman.
“ 6. The Adoration of the Magi, by Vin-
cenzo Camuccini.
“ 7. Joseph’s Dream, by Vincenzo Cam-
uccini.
“ 8. Christ before Pilate, by Vincenzo
Camuccini.
Plate 105. Modern German Art.
Fig. 1. Apollo among the Herdsmen, by G.
Schick.
“ 2. Apollo among the Muses, by Raphael
Mengs.
“ 3. Achilles refuses to receive the Am-
bassadors of Nestus, by Asmus
Carstens.
“ 4. Job, by Eberhardt von Wächter.
Plate 106. Modern German Art.
Fig. 1. The Recognition of Joseph, by Peter
v. Cornelius.
“ 2. Dante and Virgil in Hell, by Joseph
Koch.
“ 3. Sofronia and Olindo, by Friedrich
Overbeck.
“ 4. Abraham perceiving the Blessed
Land, by Julius Schnorr.
FIFTH PART.
Art of the Present Time.
Plate 107. German Architecture.
Berlin School.
Fig. 1—3. The Nicolai Church at Potsdam, by
Schinckel. Fagade, diagonal profile,
and ground-plan.
“ 4 & 5. The Marcus Church at Berlin, by A.
Stüler. Longitudinal section and
ground-plan.
“ 6—8. The New Catholic St. Michel’s Church
at Berlin, by A. Sollar. Elevation,
diagonal profile, and ground-plan.
“ 9 & 10. The Peter’s Church at Berlin, by
H. Strack. Diagonal profile, and
ground-plan.
Plate 108. German Architecture.
Berlin School.
Fig. 1—3. Architectural Academy at Berlin, by
Schinckel. Fagade and detail.
“ 4—9. The New Museum at Berlin, by A.
Stüler. Details.
“ 10 & 11. Villa Schoeningen near Potsdam, by
Persius. View and detail.
“ 12—14. Details of buildings near Potsdam, by
Persius.
“ 15—17. View and ground-plans of Dwelling-
houses in Berlin, by Hitzig.
“ 18—50. Palace of the Russian Embassy at
Berlin, by Knoblauch.
Plate 109. German Architecture.
Munich School.
Fig-
LL
LI
LL
LL
1 & 2. The Stair House of the Royal Library
at Munich, by Fr. v. Gaertner.
3. Interior of the Au-Church in Munich,
by Olilmuiller.
4. View of the Hall of Fame at Munich,
by L. v. Klenze.
5. The Rottmannhall of the new Pyna-
kothek, by Voit.
6. View of the Railroad Building at
Munich, by Bürklein.
Plate 110. German Architecture.
South-west and Central German Schools.
Fig. 1 & 2. The Railroad Building at Freiburg, by
Eisenlohr. Fagade of the Chief
Building and Perspective View of
the Hall.
“ 3—5. The Church at Bulach, by Hübsch.
Choir view, interior, and ground-
plan.
“ 6 & 7. The Drinking-hall at Baden, by
Hübsch. Ground-plan and detail.
“ 8. View of the Theatre at Caflsruhe, by
Hübsch.
“ 9. The Theatre at Mayence, by G. Mol-
ler. Fagade.
“ 10 & 11. The Theatre at Dresden, by G. Semper.
View and detail.