Note: This is an additional scan to display the colour reference chart and scalebar.
0.5
1 cm

16
FIliST TASE ItOOM.
of Phidias are more clearly marked than perhaps in any vase
in the Collection. On the obverse of this vase Dionysos is
represented receiving in his kaiitharos a libation from Ariadne,
here called Nymphaia ; on the reverse
standing face to face. The.-1-------:"~
remarkable for largeness of -
About this period several =~m ^^H^^
ire two female figures
„ii ,\....., v,,„...... ;„
were meant to be considered
dent that the compositions v!
crowding the narrow space'
Among the finest specimen
mentioned No. 90m, having
other Hermes: No. 100 on!
which is a group representi
Muses Terpsichore and Md
101m: on the obverse of thj
for a sacrifice, probably on
victory. This vase bears the
Nos. I 03q and 103 on Tab
figure on the obverse repres
a lyre: while on the reveri
Bathyllos, the companion of 1
A flute-player standing on a j
the thymcle, or altar of a j
his mouth is the pft&rbeia, «
the power of blowing air fro
is the judge in the musical I
is engaged, from whose mout]
interpreted as the order for 1
Another form of amphon
period, is shown in the aecom
this class are nearly all place,
allowing greater lateral exte
the class previously describe
p CO
L o
= c
Fs o
I o
i~ >
=■ CD
I (3
r °a
F D
I- O
P o
I O
FIliST TASE ItOOM.
of Phidias are more clearly marked than perhaps in any vase
in the Collection. On the obverse of this vase Dionysos is
represented receiving in his kaiitharos a libation from Ariadne,
here called Nymphaia ; on the reverse
standing face to face. The.-1-------:"~
remarkable for largeness of -
About this period several =~m ^^H^^
ire two female figures
„ii ,\....., v,,„...... ;„
were meant to be considered
dent that the compositions v!
crowding the narrow space'
Among the finest specimen
mentioned No. 90m, having
other Hermes: No. 100 on!
which is a group representi
Muses Terpsichore and Md
101m: on the obverse of thj
for a sacrifice, probably on
victory. This vase bears the
Nos. I 03q and 103 on Tab
figure on the obverse repres
a lyre: while on the reveri
Bathyllos, the companion of 1
A flute-player standing on a j
the thymcle, or altar of a j
his mouth is the pft&rbeia, «
the power of blowing air fro
is the judge in the musical I
is engaged, from whose mout]
interpreted as the order for 1
Another form of amphon
period, is shown in the aecom
this class are nearly all place,
allowing greater lateral exte
the class previously describe
p CO
L o
= c
Fs o
I o
i~ >
=■ CD
I (3
r °a
F D
I- O
P o
I O