DOI issue:
Artykuły/Articles
DOI article:Okoński, Mateusz: Images of Central European "externae gentes" in Trajan's Monetary Iconography and Their Role in the Propaganda of the Imperial Era
DOI Page / Citation link:https://doi.org/10.11588/diglit.57341#0119
IMAGES OF CENTRAL EUROPEAN EXTERNAL GENTES.
BENNETT, J. 1997. Trajan. Optimus Princeps: a life and times, London-New York.
BIANCHI BANDINELLI, R. 2003. Il maestro delle imprese di Traiano, Roma.
BIEŃKOWSKI, P. 1900. De simulacris barbarum gentium apudRomanos. Corporis barbarorum
prodromus, Kraków.
BIEŃKOWSKI, P. 1928. Les Celtes dans les arts mineurs greco-romains avec des recherches
iconographiques sur quelques autres peuples barbares, Kraków.
CALO LEVI, A. 1952. Barbarians on Roman Imperial Coins and Sculpture, Numismatic Notes
and Monographs 123, New York.
CICHORIUS, C. 1896-1900. Die Reliefs der Traianssäule, vols. I—II, Berlin.
CLARKE, J.R. 2003. Art in the lives of ordinary Romans: Visual Representation and non-elite
vievers in Italy, 100 B.C.-A.D. 315, Berkeley-Los Angeles.
COARELLI, F. 2000. The Column of Trajan, Rome.
COULSTON, J. 1988. Trajan s Column: the sculpting and relief content of a Roman propaganda
monument, Newcastle.
DAICOVICIU, H. 1969. Dakowie, Warszawa.
DEMOUGEOT, E. 1984. “L’image officielle du barbare dans 1’Empire romain d’Auguste
ä Theodose”, Ktema 9: 123-143.
DILLON, S. 2006. “Women on the Columns of Trajan and Marcus Aurelius and the visual
language of Roman victory”. In. S. DILLON and K.E. WELCH (eds.), Representations of War
in Ancient Rome, Cambridge: 244-271.
DUBICKI, A. 2013. Wojny dackie 101-106 n.e., Zabrze-Tamowskie Góry.
DUBUISSON, M. 1985. “La Vision Romaine de I’Etranger: stereotypes, ideologie et mentalites”,
Cahiers de Clio 81: 82-98.
DUBUISSON, M. 2001. “Barbares et barbarie dans le monde greco-romain: du concept au
slogan”, L’Antiquite Classique 70: 1-16.
FEHR, B. 1985-86. “Das Militär als Leitbild: Politische Funktion und gruppenspezifische
Wahrnehmung des Traiansforums und der Traianssäule”, Hephaistos 7/8: 39-60.
FERRIS, I.M. 1997. “The Enemy Without, The Enemy Within: More Thoughts of Images of
Barbarians in Greek and Roman Art”. In. K. MEADOWS, C. LEMKE and J. HERON (eds.),
TRAC 96: Proceedings of the Sixth Annual Theoretical Roman Archaeology Conference, Sheffield
1996, Oxford: 22-28. DOI: 10.16995/TRAC1996_22_28
FERRIS, I.M. 2000. Enemies of Rome: Barbarians through Roman Eyes, Stroud.
FERRIS, I.M. 2003. “The hanged men dance: Barbarians in Trajanic Art”. In. S. SCOTT and
J. WEBSTER (eds.), Roman Imperialism and Provincial Art, Cambridge: 53-68.
FLORESCU, EB. 1965. Das Siegesdenkmal von Adamklissi, Tropaeum Traiani, Bukarest-Bonn.
FRERE, S. and LEPPER, F. 1988. Trajan s Column: a New Edition of the Cichorius Plates,
Introduction, Commentary and Notes, Gloucester-Wolfeboro.
HALL, E. 1989. Inventing the Barbarian: Greek-Self Definition through Tragedy, Oxford.
HANNESTAD, N. 1988. Roman Art and Imperial Policy, Jutland Archaeological Society
Publications 19, Aarhus.
HEITZ, C. 2006. “Alles bare Münze? Fremdendarstellungen auf römischem Geld”, Bonner
Jahrbücher 206: 159-230.
HEITZ, C. 2009. Die Guten, die Bösen und die Hässlichen. Nördliche Barbaren ’in der römischen
Bildkunst, Schriftenreihe Antiquitates 48, Hamburg.
HODOT, R. and JOUIN, P. 2008. “Barbares, barbansmes et barbarie dans le monde greco-
-romain”. In. J. SCHILLINGER and P. ALEXANDRE (eds.), Le Barbare: Imagesphobiques et
reflexions sur Talterite dans la culture europeenne, Bem: 25-46.
HÖLSCHER, T. 2003. “Images of War in Greece and Rome: Between Military Practice, Public
Memory, and Cultural Symbolism”, The Journal of Roman Studies 93: 1-17.
BENNETT, J. 1997. Trajan. Optimus Princeps: a life and times, London-New York.
BIANCHI BANDINELLI, R. 2003. Il maestro delle imprese di Traiano, Roma.
BIEŃKOWSKI, P. 1900. De simulacris barbarum gentium apudRomanos. Corporis barbarorum
prodromus, Kraków.
BIEŃKOWSKI, P. 1928. Les Celtes dans les arts mineurs greco-romains avec des recherches
iconographiques sur quelques autres peuples barbares, Kraków.
CALO LEVI, A. 1952. Barbarians on Roman Imperial Coins and Sculpture, Numismatic Notes
and Monographs 123, New York.
CICHORIUS, C. 1896-1900. Die Reliefs der Traianssäule, vols. I—II, Berlin.
CLARKE, J.R. 2003. Art in the lives of ordinary Romans: Visual Representation and non-elite
vievers in Italy, 100 B.C.-A.D. 315, Berkeley-Los Angeles.
COARELLI, F. 2000. The Column of Trajan, Rome.
COULSTON, J. 1988. Trajan s Column: the sculpting and relief content of a Roman propaganda
monument, Newcastle.
DAICOVICIU, H. 1969. Dakowie, Warszawa.
DEMOUGEOT, E. 1984. “L’image officielle du barbare dans 1’Empire romain d’Auguste
ä Theodose”, Ktema 9: 123-143.
DILLON, S. 2006. “Women on the Columns of Trajan and Marcus Aurelius and the visual
language of Roman victory”. In. S. DILLON and K.E. WELCH (eds.), Representations of War
in Ancient Rome, Cambridge: 244-271.
DUBICKI, A. 2013. Wojny dackie 101-106 n.e., Zabrze-Tamowskie Góry.
DUBUISSON, M. 1985. “La Vision Romaine de I’Etranger: stereotypes, ideologie et mentalites”,
Cahiers de Clio 81: 82-98.
DUBUISSON, M. 2001. “Barbares et barbarie dans le monde greco-romain: du concept au
slogan”, L’Antiquite Classique 70: 1-16.
FEHR, B. 1985-86. “Das Militär als Leitbild: Politische Funktion und gruppenspezifische
Wahrnehmung des Traiansforums und der Traianssäule”, Hephaistos 7/8: 39-60.
FERRIS, I.M. 1997. “The Enemy Without, The Enemy Within: More Thoughts of Images of
Barbarians in Greek and Roman Art”. In. K. MEADOWS, C. LEMKE and J. HERON (eds.),
TRAC 96: Proceedings of the Sixth Annual Theoretical Roman Archaeology Conference, Sheffield
1996, Oxford: 22-28. DOI: 10.16995/TRAC1996_22_28
FERRIS, I.M. 2000. Enemies of Rome: Barbarians through Roman Eyes, Stroud.
FERRIS, I.M. 2003. “The hanged men dance: Barbarians in Trajanic Art”. In. S. SCOTT and
J. WEBSTER (eds.), Roman Imperialism and Provincial Art, Cambridge: 53-68.
FLORESCU, EB. 1965. Das Siegesdenkmal von Adamklissi, Tropaeum Traiani, Bukarest-Bonn.
FRERE, S. and LEPPER, F. 1988. Trajan s Column: a New Edition of the Cichorius Plates,
Introduction, Commentary and Notes, Gloucester-Wolfeboro.
HALL, E. 1989. Inventing the Barbarian: Greek-Self Definition through Tragedy, Oxford.
HANNESTAD, N. 1988. Roman Art and Imperial Policy, Jutland Archaeological Society
Publications 19, Aarhus.
HEITZ, C. 2006. “Alles bare Münze? Fremdendarstellungen auf römischem Geld”, Bonner
Jahrbücher 206: 159-230.
HEITZ, C. 2009. Die Guten, die Bösen und die Hässlichen. Nördliche Barbaren ’in der römischen
Bildkunst, Schriftenreihe Antiquitates 48, Hamburg.
HODOT, R. and JOUIN, P. 2008. “Barbares, barbansmes et barbarie dans le monde greco-
-romain”. In. J. SCHILLINGER and P. ALEXANDRE (eds.), Le Barbare: Imagesphobiques et
reflexions sur Talterite dans la culture europeenne, Bem: 25-46.
HÖLSCHER, T. 2003. “Images of War in Greece and Rome: Between Military Practice, Public
Memory, and Cultural Symbolism”, The Journal of Roman Studies 93: 1-17.