NAQLUN
EGYPT
same period (Fig. 1). This will prevent any
further damage due to accidental transport
of the object, while putting the painting
high enough to be out of reach of visitors.
The mounting holes were then filled with
plaster and retouched.
Fig. 2. The upper part of the composition of the Virgin and Child from the central niche of the
church apse, after retouching (Photo C. Calaforra-Rzepka)
187
EGYPT
same period (Fig. 1). This will prevent any
further damage due to accidental transport
of the object, while putting the painting
high enough to be out of reach of visitors.
The mounting holes were then filled with
plaster and retouched.
Fig. 2. The upper part of the composition of the Virgin and Child from the central niche of the
church apse, after retouching (Photo C. Calaforra-Rzepka)
187