FOURTH CATARACT
SUDAN
different form. Coat markings or humps are
seldom indicated.
Generally speaking, the motif of cattle in
the rock art of the Nubian Nile Valley dates to
the Kerma period. Younger representations
often have accompanying figures of camels
which are similar in style and the degree of the
patina.
REFERENCES
Kleinitz, C.
2004 Rock art and rock gongs in the Fourth Nile Cataract region: the Ishashi Island rock art
survey, Sudan & Nubia 8, 11-16
Kleinitz, C., Koenitz, R.
2006 Fourth Nile Cataract petroglyphs in contex. The ed-Doma and Dirbi Island rock art
survey, Sudan & Nubia 10, 34-42
Kuciewicz, E.
2009 Rock art research in the Fourth Cataract region. Preliminary Report, PAM 18 [=Reports
2006], 457-461
Polish Archaeology in the Mediterranean 19, Reports 2007
399
SUDAN
different form. Coat markings or humps are
seldom indicated.
Generally speaking, the motif of cattle in
the rock art of the Nubian Nile Valley dates to
the Kerma period. Younger representations
often have accompanying figures of camels
which are similar in style and the degree of the
patina.
REFERENCES
Kleinitz, C.
2004 Rock art and rock gongs in the Fourth Nile Cataract region: the Ishashi Island rock art
survey, Sudan & Nubia 8, 11-16
Kleinitz, C., Koenitz, R.
2006 Fourth Nile Cataract petroglyphs in contex. The ed-Doma and Dirbi Island rock art
survey, Sudan & Nubia 10, 34-42
Kuciewicz, E.
2009 Rock art research in the Fourth Cataract region. Preliminary Report, PAM 18 [=Reports
2006], 457-461
Polish Archaeology in the Mediterranean 19, Reports 2007
399