DOI Seite / Zitierlink:
https://doi.org/10.11588/diglit.8577#0334
3H
CATALOGUE OF MIDDLE CORINTHIAN VASES
No. 1068.
1073
1073 a
IO74
Patras? (C.V.A. pi. 4, 1). The cap which closes the
neck is preserved. On the
neck, women; below, panther,
siren, goat. Scale-pattern group
(p. 63). Palermo,from Selinus
(necropolis). On neck, siren;
below, panther, siren. Same
group as last. British Mu-
seum 65. 7. 20. 20, from
Corinth. Procession of women.
Berlin 1151, from Corinth.
Women; below, whirl pattern.
Athens C.C. 620, from Cleo-
nae. PL 34,5 (W.V. 1888 pi. 1;
A.M. 1905 pi. 8; Buschor2
fig. 44; Pfuhl fig. 174; Hoppin
Bf. V. 12). Achilles waylaying
Troilos and Polyxena. Signed by Timonidas (in-
scriptions p. 163, no. 14). c. 580 b.c.
AMPHORISKOI
The shape is foreign to the earlier periods. The
majority of the following are dull vases, but the first
is a most unusual piece:
Athens 664. Fig.44g (reproduced from A.M. 1894
pi. 8; C.C. pi. 26 no. 628; Bieber, Theaterwesen 29
fig. 122; Schnabel, Kordax 55; Jahrbuch 1912, 247
fig. 6). Return of Hephaestus; loose dot-rosettes in
field. Finely polished surface. The shape has many
points in common with that of the next, and the two
vases are evidently products of the same workshop:
the aryballoi nos. 803-5 belong to this group. The
date of no. 1073 is probably not much after 600 b.c.
The shape evidently shows the earliest form of
the amphoriskos,1 and the
•■>. style has several archaic
...........•£-••. features—the woman ren-
/ ;' "i /' dered in b.f. technique,
for instance, and the stiff-
jointed 'mule' on which
Hephaestus rides.2 From
Argos (A.Z. 1859 pl-I25>l)-
Known only from Conze's
description. Padded dan-
cers; dot-rosettes.
Perhaps even earlier than
the above, to judge by the
shape, is Oxford 1928. 26.
Upper part modern. 'Subgeometric'
cf. nos. 1355, 1355 a.
1 The tendency, as usual, was to develop
slighter shape; cf. the very late type, fig. 166.
Fig. 157. No. 1074.
Fig. 157.
animals on shoulder;
IO84,5
1086
No
Fig. 158.
1076 and ff.
Orientalizing subjects, chiefly panthers and goats
in b.f. technique. Typical shape, fig. 158. Charac-
teristic examples :
Syracuse (N.S. 1925, 187). Broad, heavy style; 1075
early sixth century. Found with an aryballos like
no. 609 and ff. Louvre E 1076-9
442-5 (the last, Pottier pl. 41).
All by the same hand as the
pyxis no. 869. Leningrad,
from S. Russia (Otcet, 1903,
129, fig. 219). Cassel, from
Samos (Bohlau pl. 4, 3). On
the tomb, see p. 62. Thebes,
from Rhitsona tomb 86. On
the tomb, see p. 60. Angers
(Rev. Arch. 1923, 45). Tar-
anto, from tomb 285. Two
examples found with kotylai
mentioned under nos. 932-40.
Other examples in Taranto
from tomb 247, dating from
the end of the middle period. Many similar vases in
the British Museum, Delos (Dugas pl. 34), Palermo,
and elsewhere. Palermo. Shoulder, animals of 1087
same style as the preceding; below, floral chain as
fig. 6415—clear evidence of late date. Syracuse(N.S.
1895,139). Early shape? A, ship. Berlin 3933, 1088
from Corinth (Furtwangler, Sammlung Sabouroff, 1089
pl. 47). Four friezes of 'sub-geometric' animals.
COTHONS
Cassel, from Samos (Boehlau pl. 4, 2). Panthers, 1089 a
goats, bird. Late. Replicas in Syracuse, from Leon-
tini, and in the Hermitage. On the tomb, see p. 62.
OINOCHOAI WITH TREFOIL MOUTH AND
NARROW FOOT
I, continuation of the style of no. 725 and ff., with
the same principles of decoration. The style usually
rough, the choice of animals restricted, the shapes late
(cf. fig. 10 e-g).
British Museum A 1353. Detail fig. 55 e (shape 1090
fig. 10 e). Most of mouth and handle modern.
Three friezes, in the middle of 2, battle, at the
sides of which, galloping riders. Ans.: sirens,
sphinxes, panthers, goats, stag, lions; floral.
By the Dodwell painter; beginning of the sixth
century. Corneto 913. Detail pl. 30, 6. Two I09I
friezes: panthers, goats, &c. By the same hand as
the last. Berlin 1114, from Nola. Three friezes: I092
a taller,
jhter shape; cf. the very late type, fig. 166.
2 On the nature of the animal, which is not very well
brought out, see v.
lung 29, note 6.
Lieres u. Wilckau, zur Pferdedarstel-
I
CATALOGUE OF MIDDLE CORINTHIAN VASES
No. 1068.
1073
1073 a
IO74
Patras? (C.V.A. pi. 4, 1). The cap which closes the
neck is preserved. On the
neck, women; below, panther,
siren, goat. Scale-pattern group
(p. 63). Palermo,from Selinus
(necropolis). On neck, siren;
below, panther, siren. Same
group as last. British Mu-
seum 65. 7. 20. 20, from
Corinth. Procession of women.
Berlin 1151, from Corinth.
Women; below, whirl pattern.
Athens C.C. 620, from Cleo-
nae. PL 34,5 (W.V. 1888 pi. 1;
A.M. 1905 pi. 8; Buschor2
fig. 44; Pfuhl fig. 174; Hoppin
Bf. V. 12). Achilles waylaying
Troilos and Polyxena. Signed by Timonidas (in-
scriptions p. 163, no. 14). c. 580 b.c.
AMPHORISKOI
The shape is foreign to the earlier periods. The
majority of the following are dull vases, but the first
is a most unusual piece:
Athens 664. Fig.44g (reproduced from A.M. 1894
pi. 8; C.C. pi. 26 no. 628; Bieber, Theaterwesen 29
fig. 122; Schnabel, Kordax 55; Jahrbuch 1912, 247
fig. 6). Return of Hephaestus; loose dot-rosettes in
field. Finely polished surface. The shape has many
points in common with that of the next, and the two
vases are evidently products of the same workshop:
the aryballoi nos. 803-5 belong to this group. The
date of no. 1073 is probably not much after 600 b.c.
The shape evidently shows the earliest form of
the amphoriskos,1 and the
•■>. style has several archaic
...........•£-••. features—the woman ren-
/ ;' "i /' dered in b.f. technique,
for instance, and the stiff-
jointed 'mule' on which
Hephaestus rides.2 From
Argos (A.Z. 1859 pl-I25>l)-
Known only from Conze's
description. Padded dan-
cers; dot-rosettes.
Perhaps even earlier than
the above, to judge by the
shape, is Oxford 1928. 26.
Upper part modern. 'Subgeometric'
cf. nos. 1355, 1355 a.
1 The tendency, as usual, was to develop
slighter shape; cf. the very late type, fig. 166.
Fig. 157. No. 1074.
Fig. 157.
animals on shoulder;
IO84,5
1086
No
Fig. 158.
1076 and ff.
Orientalizing subjects, chiefly panthers and goats
in b.f. technique. Typical shape, fig. 158. Charac-
teristic examples :
Syracuse (N.S. 1925, 187). Broad, heavy style; 1075
early sixth century. Found with an aryballos like
no. 609 and ff. Louvre E 1076-9
442-5 (the last, Pottier pl. 41).
All by the same hand as the
pyxis no. 869. Leningrad,
from S. Russia (Otcet, 1903,
129, fig. 219). Cassel, from
Samos (Bohlau pl. 4, 3). On
the tomb, see p. 62. Thebes,
from Rhitsona tomb 86. On
the tomb, see p. 60. Angers
(Rev. Arch. 1923, 45). Tar-
anto, from tomb 285. Two
examples found with kotylai
mentioned under nos. 932-40.
Other examples in Taranto
from tomb 247, dating from
the end of the middle period. Many similar vases in
the British Museum, Delos (Dugas pl. 34), Palermo,
and elsewhere. Palermo. Shoulder, animals of 1087
same style as the preceding; below, floral chain as
fig. 6415—clear evidence of late date. Syracuse(N.S.
1895,139). Early shape? A, ship. Berlin 3933, 1088
from Corinth (Furtwangler, Sammlung Sabouroff, 1089
pl. 47). Four friezes of 'sub-geometric' animals.
COTHONS
Cassel, from Samos (Boehlau pl. 4, 2). Panthers, 1089 a
goats, bird. Late. Replicas in Syracuse, from Leon-
tini, and in the Hermitage. On the tomb, see p. 62.
OINOCHOAI WITH TREFOIL MOUTH AND
NARROW FOOT
I, continuation of the style of no. 725 and ff., with
the same principles of decoration. The style usually
rough, the choice of animals restricted, the shapes late
(cf. fig. 10 e-g).
British Museum A 1353. Detail fig. 55 e (shape 1090
fig. 10 e). Most of mouth and handle modern.
Three friezes, in the middle of 2, battle, at the
sides of which, galloping riders. Ans.: sirens,
sphinxes, panthers, goats, stag, lions; floral.
By the Dodwell painter; beginning of the sixth
century. Corneto 913. Detail pl. 30, 6. Two I09I
friezes: panthers, goats, &c. By the same hand as
the last. Berlin 1114, from Nola. Three friezes: I092
a taller,
jhter shape; cf. the very late type, fig. 166.
2 On the nature of the animal, which is not very well
brought out, see v.
lung 29, note 6.
Lieres u. Wilckau, zur Pferdedarstel-
I