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https://doi.org/10.11588/diglit.68745#0283
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I appear, cold and empty,
Ihas had charge of them
[them, and visited only
□art of a very fugitive
reconstruct any picture
[splendour. What must
om the master-hand of
with every bravery of
drapery, and when the
97
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thp foreground.
I: around us the work of
, from the noble 4 Cruci-
id elevation of a poet-
to the rather tired and
~ in the upper room in
^^■dls below the highest,
but always knowledge,
of the power of light
marvellously sustained,
original, a dramatic, a
^^Bsive composition or the
fixion,’ cc =
painter in = ™
laboured E
absorbed in love and reverence. The beautiful scheme of colour
is brought into harmony with the theme and treated with a care
and delicacy of execution that no one could display better than
Tintoretto when he chose. Glory streams from the little head and
lights up the face of the mother, bending tenderly and anxiously.
The detail is all admirable, the dim arches, within which burns a
brazen lamp, the gorgeous embroidery of the curtains, the table
with the sacred vessels. On the right is a row of four members
of the brotherhood more slightly painted than the rest, to mark
their subservience.
In the i Assumption ’ we still have a very majestic design, in
which the Madonna leans from out the clouds, upborne by a
splendid young angel, and the lovely circle of cherub heads which
surrounds her is still untouched, but the rest of the picture has
been daubed to destruction by a misguided restorer in 1834, who
was so well satisfied with his achievement that he has inscribed
his name Jn Ip^t^rs that all nrrncQ
This if IT_
and imag:
tender rei
most trivi.
Darke
untenante
for many
by touris
descriptioi
of the hal
they have E_E
the great =
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CD
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C
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05
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Z5
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I appear, cold and empty,
Ihas had charge of them
[them, and visited only
□art of a very fugitive
reconstruct any picture
[splendour. What must
om the master-hand of
with every bravery of
drapery, and when the
97
CM
Q
thp foreground.
I: around us the work of
, from the noble 4 Cruci-
id elevation of a poet-
to the rather tired and
~ in the upper room in
^^■dls below the highest,
but always knowledge,
of the power of light
marvellously sustained,
original, a dramatic, a
^^Bsive composition or the
fixion,’ cc =
painter in = ™
laboured E
absorbed in love and reverence. The beautiful scheme of colour
is brought into harmony with the theme and treated with a care
and delicacy of execution that no one could display better than
Tintoretto when he chose. Glory streams from the little head and
lights up the face of the mother, bending tenderly and anxiously.
The detail is all admirable, the dim arches, within which burns a
brazen lamp, the gorgeous embroidery of the curtains, the table
with the sacred vessels. On the right is a row of four members
of the brotherhood more slightly painted than the rest, to mark
their subservience.
In the i Assumption ’ we still have a very majestic design, in
which the Madonna leans from out the clouds, upborne by a
splendid young angel, and the lovely circle of cherub heads which
surrounds her is still untouched, but the rest of the picture has
been daubed to destruction by a misguided restorer in 1834, who
was so well satisfied with his achievement that he has inscribed
his name Jn Ip^t^rs that all nrrncQ
This if IT_
and imag:
tender rei
most trivi.
Darke
untenante
for many
by touris
descriptioi
of the hal
they have E_E
the great =