DOI Artikel:
Rolska-Boruch, Irena: Pałac w Opolu Lubelskim, jego dzieje i zbiory
DOI Seite / Zitierlink: https://doi.org/10.11588/diglit.27562#0154
152
IRENA ROLSKA-BORUCH
Skarbiec Pierwszy'.
Obraz Pana Jezusa Ukrzyżowanego
Obraz Najświętszej Panny z Panem Jezusem
Skarbiec Drugi:
Landszaft z Bawołem y Owocami, kwiaty na papierze
Landszaft z Bukietami, Lewiaty na papierze
Cekauz:
Obraz Najświętszej Panny na płótnie
Altana ogrodowa:
Portrety
Landszafty
ŹRÓDŁA
Archiwum Państwowe w Lublinie, Księgi Grodzkie Lubelskie, sygn. 21279, k. 18
Archiwum Państwowe w Lublinie, Księgi Grodzkie Lubelskie, sygn. 21287, k. 51 v
Archiwum Państwowe w Lublinie, Księgi Grodzkie Lubelskie. Regresti rerum mobilium Fatis
JGMci Tarło Pitni Sandoinen. derelict. seu Inventarij Palatij Opolen, conscripti oblata
7.III. 1750, sygn. 21471, k. 487-499
Długosz J. Liber beneficiorum II, s. 545
THE PALACE IN OPOLE LUBELSKIE
ITS HISTORY AND COLLECTIONS
S u m m a r y
The Opole estate from the fourteenth to the seventeenth century belonged to the Słupecki
family. In the sixteenth century a représentative of that family Stanisław Słupecki (d. 1575)
converted the family résidence according to the then fashion. Słupecki, a man educated at the
European universities, started collecting the works of art, especially Dutch and Italian
paintings, and collected books. It was Feliks Słupecki (d. 1617), a Lublin castellan, who then
continued the conversion the Opole seat before 1613. The palace belonged to the most
interesting works of 17th-century Polish residential architecture. At the time of Feliks Słupecki
there were many prominent représentatives of European Protestantism at the Opole court.
The collections of painting collected from the sixteenth century were still enlarged after
the Słupecki family had died out. In the 1740s Jan Tarło, the owner of Opole, madę extensions
IRENA ROLSKA-BORUCH
Skarbiec Pierwszy'.
Obraz Pana Jezusa Ukrzyżowanego
Obraz Najświętszej Panny z Panem Jezusem
Skarbiec Drugi:
Landszaft z Bawołem y Owocami, kwiaty na papierze
Landszaft z Bukietami, Lewiaty na papierze
Cekauz:
Obraz Najświętszej Panny na płótnie
Altana ogrodowa:
Portrety
Landszafty
ŹRÓDŁA
Archiwum Państwowe w Lublinie, Księgi Grodzkie Lubelskie, sygn. 21279, k. 18
Archiwum Państwowe w Lublinie, Księgi Grodzkie Lubelskie, sygn. 21287, k. 51 v
Archiwum Państwowe w Lublinie, Księgi Grodzkie Lubelskie. Regresti rerum mobilium Fatis
JGMci Tarło Pitni Sandoinen. derelict. seu Inventarij Palatij Opolen, conscripti oblata
7.III. 1750, sygn. 21471, k. 487-499
Długosz J. Liber beneficiorum II, s. 545
THE PALACE IN OPOLE LUBELSKIE
ITS HISTORY AND COLLECTIONS
S u m m a r y
The Opole estate from the fourteenth to the seventeenth century belonged to the Słupecki
family. In the sixteenth century a représentative of that family Stanisław Słupecki (d. 1575)
converted the family résidence according to the then fashion. Słupecki, a man educated at the
European universities, started collecting the works of art, especially Dutch and Italian
paintings, and collected books. It was Feliks Słupecki (d. 1617), a Lublin castellan, who then
continued the conversion the Opole seat before 1613. The palace belonged to the most
interesting works of 17th-century Polish residential architecture. At the time of Feliks Słupecki
there were many prominent représentatives of European Protestantism at the Opole court.
The collections of painting collected from the sixteenth century were still enlarged after
the Słupecki family had died out. In the 1740s Jan Tarło, the owner of Opole, madę extensions