Richardson, Jonathan; Egerton, Thomas [Oth.]; Egerton, John [Oth.]; Debrett, John [Oth.]; Faulder, Robert [Oth.]; Miller, W. [Oth.]; Cuthell, J. [Oth.]; Barker, James [Oth.]; Jeffery, Edward [Oth.]: The Works Of Jonathan Richardson: Containing I. The Theory Of Painting. II. Essay On The Art Of Criticism, (So far as it relates to Painting). III. The Science Of A Connoisseur : The Whole intended as a Supplement to the Anecdotes of Painters and Engravers ([London]: Sold by T. and J. Egerton; J. Debrett; R. Faulder, and W. Miller; J. Cuthell; J. Barker; and E. Jeffrey, 1792)

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Freedom—The refult of quick execution.
Extremities—Hands and feet.
Air—Expresses chiefly the graceful a&ion of the head, but often
means a graceful attitude.
Contrast—The opposition of one part to another.

INTRODUCTION