Ruland, C.: The works of Rafael Santi da Urbino in the Royal Library at Windsor Castle (London, 1876)

New Testament Subjects. 45
• xxxvi. The Descent from the Cross.
1. Anonymous etching of 1543; a composition of 18 figures
in an oval.— E. 14. i.
2. [Engraving of a very similar composition by Ant. Fantuzzi.]
xxxvii. The same subject, treated differently.
1. Photograph of a pen and ink washed drawing of the school
of Poussin; in the collection of Archduke Albert at
Vienna. Ascribed to Raphael in Jagermeyer’s “Albrecht-
Gallerie.”
xxxviii. The same subject, treated differently.
1. Photograph of a pen and ink washed drawing; in the col-
lection of the late Mr Grahl at Dresden.
xxxix. The Piet a.
1. Photograph of a slight pen and ink sketch of Christ on
the knees of the Virgin; in the collection of Archduke
Albert at Vienna; perhaps of the school of the Caracci.
xl. The Entombment.
1. Engraving by Enea Vico, 1543.—Bartsch, xv. p. 284, No. 7.—
E. 14. m.
2. Engraving by H. van der Borcht of the original drawing,
by Parmegianino, when in the collection of Lord Arundel;
1645.
xli. The same subject, treated differently.—E. 14.
1. Photograph of a pen and bister washed drawing; in the
Ducal collection at Gotha.—D. 266.
2. - Engraving by Enea Vico, after it.—Bartsch, xv. No. 8.
3. Facsimile-engraving by S. Paccini, 1770, of the same, when
in the possession of R. Mengs.
4. Lithograph by N. Strixner of a similar picture; in the
Munich Gallery.
XLii. Another compositiou, of the same subject.
1. [Photograph of the drawing in the possession of Sir G. J.
Warnon (?).—D. 158.”]
2. Engraving of the same by F. Lousing; 1768.
3. Anonymous copy of Lonsing’s engraving.
4. Engraving after the drawing by San Piale.
5. Engraving by L. Vorstermann.
6. Lithograph after the same by F. Rehberg.