Ruland, C.: The works of Rafael Santi da Urbino in the Royal Library at Windsor Castle (London, 1876)

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Tapestries.

4. Anonymous copy of it in Ag. Veneziano’s manner;
marked with a different die.—Bartsch, xiv. No. 56.
5. Photograph of a pen and bister drawing of this
composition, without the figure of God Father
and the cherubim around; in the Ambrosian
Library at Milan.
6. Photograph of a slightly different pen and ink
drawing; in the University Collection, Oxford.—
D. 492.
7. Lithographic facsimile of this drawing; unpublished
plate of the “Lawrence Gallery.”
8. Photograph of a pen and bister washed drawing-
heightened with white, representing the principal
group with the addition of a St Jerom and a
St Francis; in the Louvre.
9. Lithographic facsimile by Strixner of a pen and
ink drawing by Pellegrino da Modena in the
Munich Collection; making use of the figures of
Christ and the Virgin, with the addition of six
angels around.

B. TAPESTRIES EXECUTED AFTER RAPHAEL’S DEATH,
AND (PERHAPS) IN PART FROM HIS DESIGNS.
Ordered for Francis I., King of France; now in the Vatican; commonly
called “Arazzi della Scuola Nuova.”
1. The Massacre of the Innocents.—P. 197.
1—3. Etching of the tapestry by L. Sommereau; in three
plates.
4. Chiaroscuro of the whole composition by the Master N. D. B.
—Bartsch, xii. p. 33, No. 7.
5. The same: impression of the block containing the outlines
alone.