GERARD DOW.
45
137. Descamps describes a picture which was then in the
church of Santa Maria della Scala, at Rome, representing the
decollation of St. John, in which the figures are of the size
of life.
138. The portrait of an elderly female, said to be the mother
of the artist.
This picture is painted the size of nature, and is evidently the
work of Dow, when in the school of Rembrandt.
Collection of W. Wells, Esq.
26 in. by 21 in.'—P.
139- A venerable old man, with a bald head, and a gray
bushy beard; clothed in a brown mantle, bordered with fur,
seated in an arm-chair, with his left hand on its elbow, and the
right hand (in which he holds a pen) placed upon a large open
book, lying on a table before him : his head inclines a little
forward, and his countenance expresses thoughtful meditation.
This excellent example of the master is now in the collection of
the Marquess of Bute.
11| in. by 9 in.—P.
140. Le Brun, in his gallery of Les Peintres Flamands,
mentions a picture by this master (which was done soon after
he quitted Rembrandt), representing Tobias in the presence of
his father, the size of which was unusually large, being
42 in. by 52 in.—The same author states, that it passed from
the Braamcamp collection to England.
45
137. Descamps describes a picture which was then in the
church of Santa Maria della Scala, at Rome, representing the
decollation of St. John, in which the figures are of the size
of life.
138. The portrait of an elderly female, said to be the mother
of the artist.
This picture is painted the size of nature, and is evidently the
work of Dow, when in the school of Rembrandt.
Collection of W. Wells, Esq.
26 in. by 21 in.'—P.
139- A venerable old man, with a bald head, and a gray
bushy beard; clothed in a brown mantle, bordered with fur,
seated in an arm-chair, with his left hand on its elbow, and the
right hand (in which he holds a pen) placed upon a large open
book, lying on a table before him : his head inclines a little
forward, and his countenance expresses thoughtful meditation.
This excellent example of the master is now in the collection of
the Marquess of Bute.
11| in. by 9 in.—P.
140. Le Brun, in his gallery of Les Peintres Flamands,
mentions a picture by this master (which was done soon after
he quitted Rembrandt), representing Tobias in the presence of
his father, the size of which was unusually large, being
42 in. by 52 in.—The same author states, that it passed from
the Braamcamp collection to England.