RUBENS.
49
although the colour is very brilliant, the general effect is far
from agreeable.
Engraved by Lauwers.
Painted for the church of the Capuchins at Liere.
139. The Entombment. This composition represents the
body of the Saviour placed in a recumbent position on a stone,
the forepart supported by the Virgin, whose sorrowful counte-
nance is directed upwards; St. Francis, with his hands clasped,
stands on one side of her, and two angels on the other ; one of
the latter has a spear in his hand, the other is removing the
linen and pointing to the wound in the Saviour’s side ; the
affectionate Magdalen is prostrate at the feet of her Lord,
weeping over the instruments of his sufferings. St. John and
two of the Maries are behind the Virgin.
12/7. 11 in. by 10/7. 7 in.—C.
Engraved by Bolswert and P. Pontius.
This picture was presented by the Due d’Aremberg to the
church of the Capuchins at Brussels, in 1616. It was among the
rich spoils which adorned the Louvre until 1815, when it was
restored, and is now in the Musee at Brussels.
The distinguished beauties which this piece once possessed have
been sadly blighted by the injudicious cleanings that it has un-
dergone.
A beautiful Drawing in chalks, tinted in colour, a study sor the
preceding picture, is in the Musee at Paris.
18 j in. by 14| in.
140. The Adoration of the Magi. In the arrangement of this
picture the Virgin stands on the left, habited in a red vest with
white sleeves, a light scarf, and a blue mantle ; she is holding
the infant Saviour in a recumbent position on a pillow ; two of
the wise men are on their knees ; the nearest to the spectator
holds his body upright, and is dressed in a scarlet robe, with an
ermine cape and border; the other is bowing in adoration, and
presenting a bowl full of gold to the child; a Moorish king,
with a casket in his hands, stands on the farther side of the
VOL. IT. E
49
although the colour is very brilliant, the general effect is far
from agreeable.
Engraved by Lauwers.
Painted for the church of the Capuchins at Liere.
139. The Entombment. This composition represents the
body of the Saviour placed in a recumbent position on a stone,
the forepart supported by the Virgin, whose sorrowful counte-
nance is directed upwards; St. Francis, with his hands clasped,
stands on one side of her, and two angels on the other ; one of
the latter has a spear in his hand, the other is removing the
linen and pointing to the wound in the Saviour’s side ; the
affectionate Magdalen is prostrate at the feet of her Lord,
weeping over the instruments of his sufferings. St. John and
two of the Maries are behind the Virgin.
12/7. 11 in. by 10/7. 7 in.—C.
Engraved by Bolswert and P. Pontius.
This picture was presented by the Due d’Aremberg to the
church of the Capuchins at Brussels, in 1616. It was among the
rich spoils which adorned the Louvre until 1815, when it was
restored, and is now in the Musee at Brussels.
The distinguished beauties which this piece once possessed have
been sadly blighted by the injudicious cleanings that it has un-
dergone.
A beautiful Drawing in chalks, tinted in colour, a study sor the
preceding picture, is in the Musee at Paris.
18 j in. by 14| in.
140. The Adoration of the Magi. In the arrangement of this
picture the Virgin stands on the left, habited in a red vest with
white sleeves, a light scarf, and a blue mantle ; she is holding
the infant Saviour in a recumbent position on a pillow ; two of
the wise men are on their knees ; the nearest to the spectator
holds his body upright, and is dressed in a scarlet robe, with an
ermine cape and border; the other is bowing in adoration, and
presenting a bowl full of gold to the child; a Moorish king,
with a casket in his hands, stands on the farther side of the
VOL. IT. E