Smith, John: A catalogue raisonné of the works of the most eminent Dutch, Flemish, and French painters: in which is included a short biographical notice of the artists, with a copious description of their principal pictures : a statement of the prices at which such pictures have been sold at public sales on the continent and in England; a reference the the galleries and private collections in which a large portion are at present; and the names of the artists by whom they have been engraved; to which is added, a brief notice of the scholars & imitators of the great masters of the above schools (Part 2) (London: Smith and Son, 1830)

RUBENS.

77
Munich Gallery.
Engraved by P. Pontius.
There is a duplicate of the above in the Royal Museum at Madrid,
which is ascribed to Vandyke, and is probably a copy from the
above.
There is a print of this prince, represented without his hat,
mounted on a noble charger, galloping over the bodies of the slain,
and a figure of Fame ssying behind him holding a wreath over his
head, engraved by Vander Does.

234. A Satyr, with a bunch of grapes in his hand, and his
brows bound with ivy. Behind him is a faun wearing a lion’s
skin on his head, drinking with avidity out of a shell. Half-
length figures.
4 st. 6 in. by 2 st. 8 in.—P. (about.)
Drawn in lithography by Piloti.

235. A Boar Hunt. The composition consists of five hunts-
men on foot, and seven dogs, attacking an infuriated boar in
his lair. Among the former is one on the right, who has
pierced the animal in the throat with such violence that the
shaft of the weapon is broken, and the huntsman falling for-
wards on a wounded dog. The animals are by the hand of
Snyders.
8ft. 6 in. by liyl. 6 in.—C. (about.) 600 gs.
Drawn in lithography by Piloti.

236. The Adoration of the Shepherds. A study for a large
picture.
12| in. by 9| in.—P.

237. Cupid shaping his Bow. A copy by Rubens after
Coreggio. Signed, and dated 1614.
4 ft. 4| in. by 3ft. in.—C.