Smith, John: A catalogue raisonné of the works of the most eminent Dutch, Flemish, and French painters: in which is included a short biographical notice of the artists, with a copious description of their principal pictures : a statement of the prices at which such pictures have been sold at public sales on the continent and in England; a reference the the galleries and private collections in which a large portion are at present; and the names of the artists by whom they have been engraved; to which is added, a brief notice of the scholars & imitators of the great masters of the above schools (Part 2) (London: Smith and Son, 1830)

RUBENS.

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921. Christ journeying with the two Disciples of Emmaus.
The subject is represented in a landscape, by Breughel.
2 st. 3 in. by 3 ft. 7 in.—P.
Collection De Wit, . . Antwerp, 1741. . 2G5sso. 241.
922. The Last Supper. A sketch en grisaille.
2 st. 2 in. by 1 ft. 8 in.—P.
Same collection as the preceding, 2G5flo. 241.
923. Philip IV. of Spain. He is represented in nearly a
profile view, wearing a large full ruff, and having the body en-
veloped in a mantle. A finished study.
23 in. by 18 in.—P.
Sold by M. Heris, at Brussels, to his Highness the Prince
d’Arenberg.
924. Portrait of a Young Lady, about thirteen years of
age, of fair complexion and dark hair; seen in a three-quarter
view. She is dressed in a brown frock with ribbon sleeves,
showing the white linings, a white kerchief, ruffles, and a pin-a-
fore with a bib ; the right hand holds a fan, and the fingers
of the left gently raise her apron. This is a pleasing picture,
painted with great clearness, and possessing considerable refine-
ment in the drawing.
7ft. 4 in. by 2ft. Gin.—C.
Now in the collection of the Prince Talleyrand. Worth 200 gs.
925. A Wolf Hunt. This superb gallery picture is com-
posed of three figures on horseback and five on foot, attacking
two wolves and three foxes. The group presents, on the left,
a gentleman habited in the elegant Spanish costume of the
period, gracefully riding a prancing mottled-gray charger; on
his right is a lady, carrying a hawk on her hand, mounted on a
brown horse (these two figures personate Rubens and his wife,
Elizabeth Brant) ; the third gentleman is seen in a front
view, without his hat, armed with a javelin, and arriving on a
spirited horse at full gallop ; on the same side, and nearer the
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