Universitätsbibliothek HeidelbergUniversitätsbibliothek Heidelberg
Metadaten

Smith, John
A catalogue raisonné of the works of the most eminent Dutch, Flemish, and French painters: in which is included a short biographical notice of the artists, with a copious description of their principal pictures : a statement of the prices at which such pictures have been sold at public sales on the continent and in England; a reference the the galleries and private collections in which a large portion are at present; and the names of the artists by whom they have been engraved; to which is added, a brief notice of the scholars & imitators of the great masters of the above schools (Part 4) — London: Smith and Son, 1833

DOI Kapitel:
Gaspar Netscher
DOI Seite / Zitierlink:
https://doi.org/10.11588/diglit.62823#0169

DWork-Logo
Überblick
Faksimile
0.5
1 cm
facsimile
Vollansicht
OCR-Volltext
GASPAR NETSCHER.

Gaspar Netscher was born at Heidelburg in 1639 :
his father, who was a sculptor, after a train of mis-
fortunes, occasioned by the horrors of a civil war, died,
leaving his widow in great distress, with four young
children ; two of these perished by famine during the
siege of a fortified place, in which they had taken refuge.
Anxious to save the survivors (a girl, and her son
Gaspar, then only two years of age), she had the
courage and address to escape from the place, and
after undergoing great fatigue, and many privations,
arrived at Arnheim.
Her tale of distress appears to have excited the
notice and sympathy of many persons in the city, and
amongst them Doctor Tullekins, who was so pleased
with the interesting figure of little Netscher, that he
took him home, and adopted him as his son, with
the intention of bringing him up to his own profession.
With this view, he was instructed in Latin, and
other branches of classical knowledge. The predilection
of the youth for drawing, however, manifested itself
very early ; and every means used to subdue a pro-
pensity, which not only retarded his learning, but also
threatened to frustrate the intentions of his benefactor,
were without esfect. His attachment to the art increased
 
Annotationen