NICHOLAS BERGHEM.
5
quently contributing the aid of his spirited pencil to
give animation and interest to their works, by the
introduction of cattle and figur es*
He died on the 18th of February, 1683, aged 59,
and was buried in the West Kirk of his native city.
OBSERVATIONS.
The works of but few Painters exhibit more unequi-
vocally the degrees of comparison of good, better,
and best, than those of Berghem. In his known early
productions, the style, colouring, and execution of his
last master, Jan Baptist Weeninx, are so evident, that
such pictures are, with great propriety, designated as
being in his Weeninx manner; and are readily dis-
tinguishable by a predominance of red and yellow
ochre tints, and an uncontrolled or immatured style
of handling, by which the just forms of Nature are
frequently violated. He gradually corrected these
desects, by making Nature alone his model; and,
ultimately, attained a style and manner, combining
the several qualities, which gave such high interest
and value to his works, and place him, both as a land-
* Jacob Ruysdael, Hobbema, Jan Wils, Isaac Moucheron, and
Abraham Verboom, were the principal landscape painters to whom
he occasionally gave his assistance.
5
quently contributing the aid of his spirited pencil to
give animation and interest to their works, by the
introduction of cattle and figur es*
He died on the 18th of February, 1683, aged 59,
and was buried in the West Kirk of his native city.
OBSERVATIONS.
The works of but few Painters exhibit more unequi-
vocally the degrees of comparison of good, better,
and best, than those of Berghem. In his known early
productions, the style, colouring, and execution of his
last master, Jan Baptist Weeninx, are so evident, that
such pictures are, with great propriety, designated as
being in his Weeninx manner; and are readily dis-
tinguishable by a predominance of red and yellow
ochre tints, and an uncontrolled or immatured style
of handling, by which the just forms of Nature are
frequently violated. He gradually corrected these
desects, by making Nature alone his model; and,
ultimately, attained a style and manner, combining
the several qualities, which gave such high interest
and value to his works, and place him, both as a land-
* Jacob Ruysdael, Hobbema, Jan Wils, Isaac Moucheron, and
Abraham Verboom, were the principal landscape painters to whom
he occasionally gave his assistance.