Smith, John: A catalogue raisonné of the works of the most eminent Dutch, Flemish, and French painters: in which is included a short biographical notice of the artists, with a copious description of their principal pictures : a statement of the prices at which such pictures have been sold at public sales on the continent and in England; a reference the the galleries and private collections in which a large portion are at present; and the names of the artists by whom they have been engraved; to which is added, a brief notice of the scholars & imitators of the great masters of the above schools (Part 5) (London: Smith and Son, 1834)

386 JOHN VANDER HEYDEN.

50. A View of an Abbey, with other buildings, and the
brick walls of a fortification, at the end of which is a mill,
with water ssowing at its base. Upwards of twenty figures,
among which is a shepherd with his ssock, are distributed at
various distances: these are introduced by Adrian Vander
Velde.
■ 1st. 5 in. by 2 ft.—P.
Collection of the Due de Praslin, . 1793. . 10,601/5. 424/.
51. A Pair of Landscapes. Among the various figures,
which give interest to the scene, may be noticed a man cutting
wood, another is picking it up, and a third carrying some on
his back.
6 in. by 1st. 2 in.
52. The Companion exhibits a view over a ssat country,
with the city of Amsterdam seen in the distance, a large tree
and a few bushes break the monotony of the scene.
Collection of M. Julliot, . . . 1793. . 1510/s. 60/. 10s.

53. A Study of a Landscape, with figures by Eglon
Vander Neer.
9 in. by 8 in.—P.
Collection of the Due de Praslin, . 1793. . 410/s. 16Z. 10s.
54. & 55. A Pair, each representing a View of Brick
Fortifications, with figures by Adrian Vander Velde.

4| in. by 5^ in.—Cop.
Collection of M. Destouches, .
1784. .
800/s.
32/.
- M. Wattier, .
1797. .
501/s.
20/.
- M. Montaleau,
1802. .
401/s.
16/.
Again in Philip Panne’s sale, .
1819. .
. .
75 gs.

56. A View of the Country Residence of the Stadtholder,
called “ The House in the Wood.” The composition exhibits
on the left a portion of a handsome edisice, which is entirely