Universitätsbibliothek HeidelbergUniversitätsbibliothek Heidelberg
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Smith, John
A catalogue raisonné of the works of the most eminent Dutch, Flemish, and French painters: in which is included a short biographical notice of the artists, with a copious description of their principal pictures : a statement of the prices at which such pictures have been sold at public sales on the continent and in England; a reference the the galleries and private collections in which a large portion are at present; and the names of the artists by whom they have been engraved; to which is added, a brief notice of the scholars & imitators of the great masters of the above schools (Part 5) — London: Smith and Son, 1834

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https://doi.org/10.11588/diglit.62941#0416
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404 JOHN VANDER HEYDEN.
of the Virgin, with the Infant in her arms, stands in the
centre of the garden. The figures which animate the scene
are by the hand of Adrian Vander Velde. The chief group
represents a procession of priests advancing from the chapel
towards the front, where two pilgrims appear to await its
arrival. A monk of the Cistercian order, accompanied by a
gentleman, and a youth with a dog, are passing by the side
of a formal dwarf hedge towards the procession.
lyi. 3^ in. by 1st. 9^ in.—C.
Now in the collection of David Bailey, Esq.

114. A View on a Canal of a Town in Holland, looking
towards a bridge, beyond which is seen the upper part of
a handsome church, of modern construction. Two swans are
on the water, and a large ssat-bottom barge lies alongside
the quay, which is adorned with a row of trees, and partly
conceals the houses. The figures, which are by the pencil of
Adrian Vander Velde, consist of a woman sitting near the
door of a house, with a child in her arms, of whom a poor
man is begging : two gentlemen are also at the doors of other
houses.
1 st. 8| in. by 1 st. 7 sin—P.
Sold in the sale at Lord Northwick’s, at Harrow, 1822. . 120Z.
Now in the collection of Abraham Robarts, Esq.

115. A View in the great Square or Dam at Amsterdam,
showing part of the Stadt-house on the left of the spectator, and
the Nieuwe kirk and adjacent buildings beyond it. The scene is
animated with about thirty figures, most admirably introduced
by Adrian Vander Velde: among which, the most prominent
are a boy trundling a hoop, two gentlemen in conversation,
and a youth standing by them; these are on the left. A white
horse drawing a sledge with three casks, on which a man sits
 
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