Smith, John: A catalogue raisonné of the works of the most eminent Dutch, Flemish, and French painters: in which is included a short biographical notice of the artists, with a copious description of their principal pictures : a statement of the prices at which such pictures have been sold at public sales on the continent and in England; a reference the the galleries and private collections in which a large portion are at present; and the names of the artists by whom they have been engraved; to which is added, a brief notice of the scholars & imitators of the great masters of the above schools (Part 6) (London: Smith and Son, 1835)

232 JOHN WYNANTS.
eminence. Signed, and dated 1668. The figures are by the
hand of Adrian Vander Velde. Engraved in the Musee
Francpais, by Gessler.
3 ft. 6 in. by 4ft. 6 in.—-C.
Collection of M. Randon de Boisset, 1777. . 10,000 fs. 4001.
Valued by the Experts du Musee, 1816. . 15,000 fs. 600/.
Now in the Louvre.

16. A large Landscape, representing a fertile country,
diversified with wood and water, and distinguished from others
by a road over a high hill, on which are a sportsman with two
dogs, and a woman seated at its side : these are by Lingelbach.
A good picture.
Now in the collection of the Baron Delessert.

17. A Landscape, composed, in the centre, of a high broken
sandy hill, with a road on the left, and a bridge on the
right of it. The figures and animals which enliven the scene
are by Lingelbach.
Now in the collection of the Baron Delessert.

18. A View in the Neighbourhood of a Village, with a
cottage embosomed in trees on the left, and a rugged road
passing through a wood, on which are a herd of swine, &c.;
these, together with the figures, are by Adrian Vander Velde.
Now in the collection of the Baron Delessert.

19- Travellers reposing. The view is chiessy composed of
a high sand-hill, of a broken and picturesque form, occupy-
ing a large portion of the picture on the right, and a high
road winding into the distant landscape. The figures which
animate the scene are by the pencil of Lingelbach, and con-
sist of a man in a scarlet jacket, with his back to the spectator,
followed by a dog; a man and a woman sitting by the road-