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Universitätsbibliothek HeidelbergUniversitätsbibliothek Heidelberg
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Smith, John
A catalogue raisonné of the works of the most eminent Dutch, Flemish, and French painters: in which is included a short biographical notice of the artists, with a copious description of their principal pictures : a statement of the prices at which such pictures have been sold at public sales on the continent and in England; a reference the the galleries and private collections in which a large portion are at present; and the names of the artists by whom they have been engraved; to which is added, a brief notice of the scholars & imitators of the great masters of the above schools (Part 6) — London: Smith and Son, 1835

DOI Kapitel:
John Van Huysum
DOI Seite / Zitierlink:
https://doi.org/10.11588/diglit.62940#0479

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JOHN VAN HUYSUM.

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Let it not be supposed, that the talents which this
distinguished artist possessed, were treated with the
indifference and neglect which they would probably be
at this time, for in that case his energies must have
sunk under the pressure of ill-requited labour; it was
far otherwise: honour and reward accompanied his
studies ; his productions were eagerly sought after
by princes and amateurs in every part of civilized
Europe, and were paid for in the most liberal
manner.
He painted two pictures for the Count de Merville,
and two for the Duke of Orleans, for the sum of
1200 florins each; four for Mr. Walpole, and six for
Sir Gregory Page. He was also extensively employed
by the Prince of Hesse Cassel, the King of Poland,
the Elector of Saxony, the King of Prussia, the Elector
Palatine, the Stadtholder, and many amateurs in his
own country. A reference to the catalogue of his
works will show, that his pictures have at all times
been highly appreciated; those painted on a light
ground being the most esteemed.
Like many artists, both ancient and modern, Van
Huysum erroneously imagined, that a disclosure of the
system of mixing and using his colours would enable
other painters in the same branch to rival him ; he
therefore suffered no one to see him work, not even his
brothers, and the only pupil he was ever induced to
take, was Mad^e Haverman*, of whom he is said to
* Descamps says, that the works of this lady approach suffi-
ciently near to those of her master to have created some jealousy in
 
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