78
NICHOLAS POUSSIN.
New Testament Subjects.
that moment the Virgin is recorded to have descended on a
cloud and pillar of jasper, accompanied by angels, and com-
manded them to build a church on the spot on which they
stood. Struck with the celestial apparition, three of the
Apostles have prostrated themselves on their knees, and one is
bowing his head to the earth; all of them view with
expressions of devotion the heavenly vision. This picture is
painted in a free and masterly manner on a brown ground.
It was done about the year 1630, and is consequently an early
production. Engraved by Bouilly in the Musee Napoleon.
8/7. Gin. by 5ft. lObo—C.
Valued by the Experts du Musee, 1816.
Now in the Louvre. . .
145. St. Norbert. This picture also illustrates a legendary
tale of the Romish Church. The Virgin, bearing the infant
Saviour on her knees, is seen seated on a cloud suspended
over an altar, bestowing upon St. Norbert the cope of his
order, which he receives with profound veneration on his knees.
Engraved in the Dusseldorf Collection. This picture was
formerly in the Dusseldorf Gallery.
2st. 7 in. by 2st.—C.
146. The Marriage of St. Catherine. The composition
consists of eight figures, representing the Virgin, clothed in
a red vest and a blue mantle, seated on the right, bending
forward and holding the infant Saviour on her knee, while he
places a ring on the finger of St. Catherine: behind is an
angel bearing a sword, the instrument of her martyrdom; and
on the right are two other angels witnessing the mystical
NICHOLAS POUSSIN.
New Testament Subjects.
that moment the Virgin is recorded to have descended on a
cloud and pillar of jasper, accompanied by angels, and com-
manded them to build a church on the spot on which they
stood. Struck with the celestial apparition, three of the
Apostles have prostrated themselves on their knees, and one is
bowing his head to the earth; all of them view with
expressions of devotion the heavenly vision. This picture is
painted in a free and masterly manner on a brown ground.
It was done about the year 1630, and is consequently an early
production. Engraved by Bouilly in the Musee Napoleon.
8/7. Gin. by 5ft. lObo—C.
Valued by the Experts du Musee, 1816.
Now in the Louvre. . .
145. St. Norbert. This picture also illustrates a legendary
tale of the Romish Church. The Virgin, bearing the infant
Saviour on her knees, is seen seated on a cloud suspended
over an altar, bestowing upon St. Norbert the cope of his
order, which he receives with profound veneration on his knees.
Engraved in the Dusseldorf Collection. This picture was
formerly in the Dusseldorf Gallery.
2st. 7 in. by 2st.—C.
146. The Marriage of St. Catherine. The composition
consists of eight figures, representing the Virgin, clothed in
a red vest and a blue mantle, seated on the right, bending
forward and holding the infant Saviour on her knee, while he
places a ring on the finger of St. Catherine: behind is an
angel bearing a sword, the instrument of her martyrdom; and
on the right are two other angels witnessing the mystical